Orson Welles : The Stories of His Life This is Orson Welles Me and Orson Welles: A Novel What Ever Happened to Orson Welles? : A Portrait of an Independent Career War of the Worlds: Mars' Invasion of Earth, Inciting Panic and Inspiring Terror from H.G. Wells to Orson Welles and Beyond Orson Welles Rosebud : The Story of Orson Welles Orson Welles: Interviews Orson Welles: The Road to Xanadu

• A lucky mix of exactly the right people at the right time, with Orson Welles still riding high on his film success and notoriety in the States, and seasoned professional like Trevor Howard, Carol Reed & Graham Greene discreetly turning in flawless performances in their respective fields.
• Joseph Cotton with Alida Valli and Orson Welles.
• Holly Martins (Joseph Cotton) is a cheap American pulp fiction writer come to visit his old friend Harry Lime (Orson Welles). ...
• Orson Welles as Harry Lime.
• Good career-making performance by Joseph Cotten, but the film is stolen by Orson Welles, who does not appear until over half the movie is over and only remains on screen for three major scenes. Orson Welles's long-delayed entrance in the film - arguably one of the greatest in film history - has become one of the hallmarks of modern cinematography, and it is just one of dozens of cockeyed camera angles that seem to mirror the off-kilter postwar society. ...
• Orson Welles as The Third Man.
• The Third Man was a milestone in Orson Welles' career, as the famed French critic André Bazin noted, because of "the astonishing crystallizing process that took place around Welles through the character of Harry Lime. ...
• Pronounced a genius at the age of two, by the time he was a teenager Orson Welles was acting, directing, writing, even producing theatrical reviews.
• Well before his eighteenth birthday Orson Welles had become a star. ...
• When Orson died, he was 70 years old. ...
• In his lifetime, Orson Welles starred in over sixty movies, and many of these he directed and wrote himself. ...
• Orson Welles (Harry Lime).
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• The Orson Welles Almanac.
• The Orson Welles Almanac.

• This is Orson Welles.
• by Welles, Orson.
• Rosebud : The Story of Orson Welles.
• Orson Welles: Interviews.
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• Wells to Orson Welles and Beyond.
• Orson Welles : The Stories of His Life.
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• Me and Orson Welles: A Novel.
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• Three Philosophical Filmmakers : Hitchcock, Welles, Renoir.
• Orson Welles, Vol. ...
• Discussion: Orson Welles.

• Theater review: 'Orson Welles Rehearses' awesome, unfinished Rohan Preston, Star Tribune.
• It takes chutzpah, quicksilver creativity and a touch of madness to tackle, onstage, stage and screen legend Orson Welles. ... In fact, one could easily imagine Welles zigzagging across the line between insanity and genius in all of his works.
• Avant-garde artist Anne Bogart tried to tackle Welles a few years ago, re-creating his famous 1938 radio broadcast of "The War of the Worlds. ...
• Now Kent Stephens has stepped up to wrestle with the manic, megalomaniacal Welles, who achieved early success with "Kane," about a would-be baron, and tried desperately to repeat it.
• Stephens' "Orson Welles Rehearses Moby Dick," which opened Friday at the Jungle Theater in Minneapolis, is awe-inspiring in its range and scope. ...
• Yet "Orson Welles" feels like it needs a little more development. ...
• Welles was known for being a genius maverick. ... The goal of creating another shimmering masterwork proved elusive, and Welles, never short on ego, declined into a parody of himself.
• Stephens uses the whale chased by Captain Ahab of "Moby Dick" as a symbol of Welles' quest. ... In the play, we get a look at the backstage goings-on of Welles' well-received production of "Moby Dick. ...
• The roster also includes an incorrigible fop (the insufferable but funny Michael Ritchie); Welles' assistant Coral (Beth Gilleland, who does a fine Marlene Dietrich impersonation), and Welles himself, seeming a bit young but with stentorian heft in Garry Geiken's portrayal.
• In addition to the acting company, "Orson Welles" benefits from an often-breathtaking staging by Bain Boehlke and by the design of Barry Browning, who uses cinematic shafts of light to add misty texture and heighten the drama of the show.
• Orson Welles Rehearses Moby Dick .
• July 11: Playwright Kent Stephens probes Welles' artistic obsession  .

• Orson Welles.
• For most movie fans, there are two Orson Welles: the bright young polymath who tore up the rule book with his groundbreaking 1941 masterpiece "Citizen Kane"; and the bloated walrus who eked out his days making cigar commercials and reminiscing on chat shows. ...
• A child prodigy, Welles arrived in Hollywood having made his name in New York with his all-black voodoo version of "Macbeth" on the stage and his notorious radio version of "The War of the Worlds" while still in his early 20s. ...
• To Welles, a film studio was "the biggest train set a boy ever had", and he experimented with camera angles and deep focus with a gleeful disregard for the conventions of the medium, assisted in no small way by the great cinematographer, Gregg Toland. ...
• A thinly disguised recreation of the life of millionaire press baron William Randolph Hearst, "Kane" was produced, directed, and co-written by Welles, as well as starring him. ...
• Welles' subsequent directorial career followed a depressingly similar pattern. ...
• In recent years, Tim Robbins' "Cradle Will Rock" and "RKO 281" have paid tribute to Welles as we would all like to remember him: an artistic genius, the like of which we may never see again. ...

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•   Film Stars   >   Orson Welles   >   Biography.
• Orson WellesBiography.
• Orson Welles.
• George Orson Welles (May 6, 1915 - October 10, 1985) is commonly considered one of Hollywood's greatest directors, as well as a fine actor and screenwriter. ...
• Welles was born in Kenosha, Wisconsin. ... Dickie Welles was terribly unsuited to this role and became a homeless drunk. Orson inherited the role of wonder boy and seemed magically adept at it, though his personal relationships surely suffered because of it. ...
• Welles's adaptation of H. ...
• An arrogant man who showed little tact in dealing with film studios, Welles had trouble financing his films after Citizen Kane (1941). ... Since the film clearly was based on Hearst, any dismay on Welles's part would have been disingenuous. ...
• Studios often wrested control of the films from him, making drastic cuts or changing endings: Welles's original ending to The Magnificent Ambersons has been lost, apparently permanently. Touch of Evil was also butchered by the studio but has since been restored to something like what Welles intended. ...
• Welles starred in many of his films and wrote the scripts, often using the talents of the Mercury Theatre company, which he had founded in 1937. These included several stories from English literature, such as Macbeth (1948), Jane Eyre (in which he appeared opposite Joan Fontaine), and Chimes at Midnight (1965), an underrated classic in which Welles played Falstaff. ...
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• - BOOK REVIEW: Orson Welles: The Stories of His Life View All History .
• BOOK REVIEW: Orson Welles: The Stories of His Life.
• Peter Conrad Faber & Faber 368 pgs; $25 If you are one of those who can't get enough of Orson Welles, then Peter Conrad's "Orson Welles: The Stories of His Life" might very well cure you. ...
• If you are one of those who can't get enough of Orson Welles, then Peter Conrad's "Orson Welles: The Stories of His Life" might very well cure you. It is hard to imagine a book making more of Welles and his career, and doing it in a way that is more tiresome and overblown. ...
• Conrad sees these roles, whether Welles actually wrote them or not, as expressions of an ongoing autobiography, each a reflection of some essential element in Welles's nature and psyche. ...
• Conrad, who, since 1973, has taught English at Christ Church, Oxford, embarks on flights of "cultural free association" which have little to do with Welles,. ...

• Orson Welles' daughter seeks royalties.
• The daughter of Orson Welles is suing two Hollywood studios, saying they should either pay her royalties on her father's masterpiece Citizen Kane or hand over the rights to the movie. ...
• Beatrice Welles says in the lawsuit filed in federal court that a 1944 agreement discovered by an archivist appears to terminate a 1939 profit-sharing deal the filmmaker signed with RKO Pictures. ...
• Welles' lawyer, Steven Ames Brown, said his client either owns the rights under the 1944 agreement or is owed royalties if the earlier deal is still valid. ...
• The suit, which names RKO and Turner Entertainment Co as defendants, says Welles is also owed money on another of her father's films, The Magnificent Ambersons. ...
• He said that Welles had a 20 per cent profit participation agreement for Citizen Kane and a 25 per cent stake in The Magnificent Ambersons. ...
• Jonathan Marshall, an RKO spokesman, said the company had not yet seen Welles' suit and could not comment. ...
• "We've had a good working relationship with Beatrice Welles, and we would hope we would have one going forward," he said. ...
• Beatrice Welles, 47, a cosmetics company executive who lives in Nevada, is Orson Welles' child with his third wife, actress Paola Mori. ...

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• Orson Welles .
• Figlio di un inventore di provincia dalla vita scapigliata e di un'aspirante pianista e vigorosa femminista, Orson Welles nacque il 6 maggio 1915, secondo e ultimogenito, in una cittadina del Wisconsin. ... Il padre se ne ando', il fratello si diede alla malavita e la madre si trasferi' con il piccolo Orson a Chicago. Orson non poteva frequentare la scuola perche' afflitto da ogni sorta di malattie (difteria, asma, malaria, reumatismi) ed era quasi sempre confinato in casa. ... Orson crebbe cosi' conteso tra gli avventurieri e gli sbandati di cui si circondava il padre e i musicisti e attori amici del dottore. ...
• A quella tenera eta', Orson divenne il principale organizzatore degli spettacoli teatrali del collegio. ...
• Nel frattempo Welles aveva gia' messo insieme la propria compagnia teatrale, che gli avrebbe procurato molte soddisfazioni a Broadway. ...
• Per un po' continuo' a lavorare alla radio, raffinando il suo metodo autarchico, nel quale la burocratica organizzazione dei ruoli venive sostituita dal genio tuttofare di Welles. ...
• Welles assunse lo sceneggiatore Herman Mankiewicz e l'operatore gregg Toland e si circondo' degli attori della sua compagnia. ...
• In una stanza Kane (Orson Welles) e` in punto di morte. ...
• Dapprima Welles propone l'immagine pubblica di Kane, nel filmato preparato dalla televisione per commemorare la sua morte. ...
• Per ottenere gli "effetti di profondita' di campo "desiderati da Welles, Toland impiego' un nuovo tipo di pellicola e ivento' la fotografia pan-focus: in tal modo Welles pote' evitare discontinuita' narrative all'interno della stessa scena (ovvero di ricorrere al montaggio), in quanto l'azione pote' essere distribuita lungo una profondita' senza limiti (una sorta di focus universale). ...
• Welles sfrutto la "fotografia a fini metaforici": le prospettive da cui vengono ripresi i personaggi (dall'alto, dal basso, di lato, da lontano), le rispettive posizioni, le distorsioni ottiche, hanno un significato metaforico ben preciso e aggiungono pathos al film. ...
• Manipolando fotografia, montaggio e colonna sonora, Welles defini' un linguaggio cinematografico di grande espressivita'; "Kane" e' anche una summa dei trucchicinematografici. ...
• La struttura del film "e' altrettanto complessa del medium (e deve forse qualcosa a Faulkner): il cinegiornale iniziale, per esempio, parodia di quelli che Welles faceva di professione, e' gia' la storia di Kane, dalla nascita alla morte, ovvero il film stesso; ma e' soltanto un film dentro il film, e' "il" film dentro se stesso (comincia anch'esso dal funerale e finisce nel mistero irrisolto). ...
• Per non creare un polo psicologico, Welles non fa mai vedere in viso il giornalista. ...

• A look back at Orson Welles'.
• I picked up the play again (both parts this time) for a college Shakespeare class, but by then it was too late: Orson Welles had robbed me of my youth; I had just seen Chimes at Midnight. Welles has permanently colored my reading of the Henrys (including Henry V) and of Falstaff himself. ...
• Welles's genius was to see through this political lesson, and then to shift the focus of the drama from the kings and princes - their powers passed to other types of leaders, whether dictators or democrats, whose history in this last century requires not admiration but the most attentive skepticism, if not outright horror. The real hero in our ironic age, Welles realized, was Falstaff himself, "the last good man" in spite of all his surface flaws. ...
• (Keith Baxter, who played Hal, disliked the speech and the wink at the end that Welles directed him to give Falstaff, but it actually works in context here, Hal once again with the wink reverting to being the old man's playmate in spite of what he had just said. ...
• Welles tightens the crossed father-son relations of Shakespeare's plays, which are dissipated in the separate texts but are here brought together in full force. ...
• It is Hotspur's death that seals Falstaff's own fate, in Welles's telling. ...
• In Shakespeare's world, Hal's act is proof of prudence and maturity; in Welles's recreation of that world, it is more treasonous than anything that Hotspur ever did. ...
• As so often, Welles had to cope with numerous difficulties in the making of the movie. ... John Gielgud, Margaret Ruthford, and Jeanne Moreau could only come to filming for a few weeks each, and Welles had to work around their schedules, using stand-ins or even cardboard cutouts in some scenes. Other roles were played by local Spanish actors who spoke no English and had to be dubbed (often by Welles himself, something he had done in more than one film before). If those difficulties, and the settings in the Spanish countryside, account for some of the film's occasional roughness, they may have also prompted Welles' usual ingenuity in solving those very problems. ...
• Although Welles did other things after, and although there are those unfinished films that we will never see the whole of, I think of Chimes at Midnight as his capstone work - his last great achievement. ... But, more than any of these, and even though Welles was a bit younger than I am now when he made it, Chimes at Midnight is a work of full maturity, a film that displays in the sheer fact of its existence what a great craftsman can do with just a little money, cardboard, glue and bits of string. ...

• Selected comments from audience members after the first preview screening of Orson Welles' second film, "The Magnificent Ambersons" .
• Welles had better go back to radio, I hope. ...
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• ORSON WELLES.
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• Talent, girth, ego, ambition -- everything about Orson Welles swelled beyond the boundaries of normal men. ... And while the first film bearing his complete authorial stamp, Citizen Kane (1941), ensures that Welles will always have a place at the forefront of film history, the rest of his wildly uneven career sags under the yoke of his enormous, if unfulfilled, potential. ...
• George Orson Welles was born on May 6, 1915, in Kenosha, Wisconsin. Welles's parents, however, had high hopes for their son. After a local doctor determined that young Orson was a prodigy at the age of eighteen months, his mother dedicated her life to helping him realize his potential. At the age that most children are learning how to tie their shoelaces, Welles was painting, playing violin, performing magic tricks, and acting in local theater productions. After his mother died when he was six, Welles traveled around the world with his father, a flamboyant inventor. ... to attend private school for a few years ,Welles moved to Europe to become a stage actor. ...
• By the age of twenty, Welles was a star on stage. ... Citizen Kane, the group's first production, became one of the most influential films of all time, both for its artistic merit (use of flashback, deep-focus photography, and unusual camera angles) as for its eerie prescience: for, like Charles Foster Kane, the character he played, George Orson Welles's life and career would soar and sink at dizzying intervals that would completely crush a lesser man and artist. ...
• Welles knew, of course, that he could never follow up the success of Citizen Kane. ... And while he had trouble finding financing for his own pictures after Kane, Welles acted in other directors' projects to pay the bills, most notably in Carol Reed's The Third Man (1949). Welles was married three times, including a five-year hitch to Rita Hayworth. ...
• Orson Welles: The One-Man Band (1996) .

• Orson Welles on the Air.
• Orson Welles first gained fame on the radio on The Shadow, in which he played the title character in 1936 and 1937. On The Shadow, Welles played Lamont Cranston, a wealthy man who had learned "the power to cloud men's minds" while studying in Asia. ...
• Welles used the money he made on the radio to fund his theater company, The Mercury Theater. ... In the summer of 1937 Welles directed, and starred in a serial adaptation of Les Miserables. ...
• In July, 1938 Orson Welles brought his theatrical revolution to radio with the premier of Mercury Theater on the Air. ... Welles told classic and well-known stories in a boldly theatrical way. Such talented performers as Agnes Moorehead, Bernard Hermann and Joseph Cotton costarred with Welles in these shows.
• Mercury Theater and Orson Welles became household words after the broadcast of H. ... Welles radical use of the radio medium to tell this story lead to national hysteria as people tuned into the middle of the program, which used fake news broadcasts, and believed that the Martian Invasion was really happening.
• Welles continued to tell great stories including Rebecca, A Christmas Carol and Dashiel Hammett's The Glass Key until 1940, when he went to Hollywood to begin his film career.
• Welles' film Citizen Kane, and the anger it inspired in William Randolph Hearst, led to problems for at least one radio program that Welles was involved in. ... Hearst brought pressure to bear on the network and Welles' contribution to this series, "His Honor the Mayor", an appeal to honor the right of free speech, was supressed.
• Welles continued to work in radio while he made films in Hollywood, often appearing as a guest on other shows. ...
• In 1950 Orson Welles returned to a regular role on radio on the BBC. ... Welles described the weapon and then told the story of the crime in which it was used.

• Orson Welles.
• Ext Bücher zu Orson Welles .
• Orson Welles in "Stunde der Wahrheit".
• Mein Name ist Orson Welles". ... Denn Orson Welles hat durch die realistische Gestaltung seines Hörspiels "Krieg der Welten" nach H. ...
• Sechs Jahre später wirft ihn die RKO raus: Ein Genie wie Welles kann sich kein Produzent der Welt leisten. ...
• Doch das mächtige Hollywood, das in den 50er Jahren bedeutende Filmemacher zum Schweigen verurteilt, schafft diesen Orson Welles nicht. ...
• in "Das Schloss" oder "Falstaff" zeigt Orson Welles hier eine Welt der Aristokratie und ihres Untergangs. Welles, der hier selbst nicht mitspielt, hat viel Poesie und Phantasie eingebracht und setzt die Chronik der laufenden Ereignisse gleichsam aus den vergilbten Familienfotos zusammen in einem ruhigen, unendlich langsamen Bildstil. ...
• Am Ende der Nazizeit drehte Orson Welles diesen Film. ...
• Orson Welles inszeniert sich selbst in einer brillianten Rolle perfekt wie immer, neben ihm spielen die schöne Loretta Young und Edward G. ...
• Für "Die Lady von Shanghai" (1947) muss sich Welles eine andere Produktionsfirma suchen und er landet bei der Columbia. ... Neben seinem "Citizen Kane" und dem "Othello" ist dies einer der wuchtigsten Welles-Filme. Voller Zynismus spielt Welles den Seemann, der in die Fänge der Frau gerät. ...
• "Macbeth" (1948) hat Welles für weniger als 200000 Dollar in knapp drei Wochen für die Billig-Firma Republic gedreht. Vorher hat Welles die Geschichte mit den Schauspielern auf dem Theaterfestival in Utha geprobt. ...

• Citizen Kane's Orson Welles .
• As Orson Welles was known to me to be the writer, director, and star actor in the film, I figured he would be a good person to target as the creative genius of this marvelous motion picture. ...
• It turns out Welles is something of a renaissance man. ... The aspect I find extraordinary in Welles is his visual/spatial intelligence in his ability to create unique and astonishing visuals. ...
• The Life of Welles: A Short Biography .
• Orson Welles was born on May 6, 1915 in Kenosha, Wisconsin as George Orson Welles. ... "Dadda" as Orson called Bernstein, was the local doctor and was thought to have his eye on Mrs. Welles. In addition, both Orson and his mother were prone to illness. Bernstein is said to have declared Orson a genius at the ripe old age of 18 months and dedicated himself to helping the child reach the height of his genius. He put himself in charge of the child's education and showered Orson with multitudes of educational gifts. ...
• In 1919, when Orson was four, the Welles family moved to Chicago. ... Orson stayed on with his mother and "Dadda" Bernstein while his father took off to travel the country. Orson traveled with his father over holidays, giving him a wide range of experiences to draw on from an early age. Also, Orson was not healthy enough to go to school on a regular basis until he was 11 years old. ... Both his mother and the doctor were very supportive of Orson stretching his talents to different domains and experimenting with new ideas and knowledge. This very personal education and variety of experiences provided Orson with a very strong sense of self. ...

• Orson Welles.
• Orson Welles, circa March 1, 1937.
• George Orson Welles (May 6, 1915 - October 10, 1985) is commonly considered one of Hollywood's greatest directors, as well as a fine actor and screenwriter. ...
• Welles was born in Kenosha, Wisconsin. ... Dickie Welles was terribly unsuited to this role and became a homeless drunk. Orson inherited the role of wonder boy and seemed magically adept at it, though his personal relationships surely suffered because of it. ...
• Welles drew a great deal of attention in 1937 with a production of Shakespeare's Julius Caesar set in Fascist Italy. ...
• In the summer of 1938, Welles and Mercury Theatre began weekly broadcasts of short radio plays based on classic or popular literary works. ... This brought Welles his first public notoriety on a national level -- the program created panic among listeners who found it completely convincing. Welles's adaptation of H. ...
• An arrogant man who showed little tact in dealing with film studios, Welles had trouble financing his films after Citizen Kane (1941). ... Since the film clearly was based on Hearst, any dismay on Welles's part would have been disingenuous. ...
• Studios often wrested control of the films from him, making drastic cuts or changing endings: Welles's original ending to The Magnificent Ambersons has been lost, apparently permanently. After three more attempts to work within the Hollywood system (listed below), Welles left Hollywood in 1948. Barring a brief return in 1958 to make Touch of Evil (which was also butchered by the studio but has since been restored to something like what Welles intended), the rest of Welles' directorial career was spent in Europe, his films self-financed with acting fees or, later, funded by sympathetic producers. ... Despite this setback, some of Welles' best work was produced during this period. ...

• It was directed by Orson Welles, who also appeared as a strangely corrupt policeman, Captain Hank Quinlan. ...
• The movie was written in two weeks by Welles based on Whit Masterson's novel Badge of Evil. ...
• In fact, Welles was injured during filming and actually needed the cane. ...
• The border setting provides Welles with an opportunity to comment on the relations between the United States and Mexico and the treatment of Mexicans by American law enforcement. ...
• Welles liked what Weaver did as Chester on TV's Gunsmoke and worked closely with him on his part, which was shot on a three-day hiatus from the TV show. ...
• Welles's old friend, Joseph Calleia, gives a moving performance as Quinlan's toady, along with other members of the Welles repertory company, Joseph Cotten, Keenan Wynn, Ray Collins (the police detective on Perry Mason), and Mercedes McCambridge as a butch biker chick. Many of the actors worked for lower wages just to make a film with Welles. ...
• According to Heston, Welles was originally intended to act in the film only, and Heston was highly sought for the lead. Heston pretended to think that Welles was going to direct and based his acceptance of the part on that. ...
• Welles rewrote the script, but after he completed the movie, it was re-edited (and in part re-shot) by Universal International pictures and it was not until 1998 (and the fourth version) that it was released in something like the original form intended by Welles. ...
• The DVD includes a 58-page memo written in 1958 by Welles after he had seen the producer's cut of the movie. Some of these suggestions were accepted at the time, but the release on DVD was made as close to Welles' original idea as possible using the original footage. ... The producer had put the credits over this shot, but Murch moved the credits to the end as Welles had wanted. ...
• It was Welles's first film since Macbeth (1948), and he pulled out all the stops, beginning with the three-minute-long continuous tracking shot, as well as many dark litter-strewn streets, ominous oil wells, and deserted desert highways travelled by slick new American cars with huge tailfins. ...
• Welles appeared as grossly fat in the film and is shot from below to emphasize his corpulence, but in fact the fat is mostly padding. It was only later that Welles really got fat. ...

• In this page I will argue that "The Brain" of Pinky and The Brain (P&TB), is actually a rather strange parody of Orson Welles. ...
• In fact, Brain claims to have never heard of Orson Welles. ...
• For those who don't know, Orson Welles (1915-85) was a director, producer, writer, actor, and all around genius. ...
• It's a well known fact among PNTB fans that Brain resembles an older Welles. ... Watch one of Welles' movies and see for yourself. ...
• LaMarche has actually done several impressions of Welles including the voice of Welles in the film "Ed Wood. " His impression was dubbed over the voice of Vincent D'Onofrio, who played Welles. He was also the voice of Welles on the television show "The Critic. ...
• "I just want to comment that I noticed the voice Maurice LaMarche uses for the Brain doesn't sound exactly like Orson Welles. ... LaMarche where the announcer indicated that he thought the development of the Brain voice included some other actor besides Welles - and LaMarche agreed to some extent. ...
• Brain's voice and appearance are not the only parodies of Welles that can be found in episodes of Pinky and The Brain. The writers have peppered several episodes with references to Welles and his films and some of these references are far from subtle!.
• " This is an obvious parody of "The Shadow," a radio series that Welles starred in during 1937-38 (BRAIN). In fact, a photograph of Welles as The Shadow and this still from the "Pinky and the Fog" are surprisingly similar (The latter has been made B&W for aesthetic purposes. ...
• The film starred Orson Welles, as the mysterious Harry Lime. ...   "Pinky is in the Cotten role and Brain is in the Welles role. ... It should also be noted that, aside from the plot, many of the characters are also brought over from the original movie, including the British army officer and his sidekick, the two slightly sinister ci-devant aristocrats, the elderly Vienna native who is done in, the Mysterious Woman, Pinky's riff on Joe Cotten's role, and, naturally, Moe LaMarche having great fun as Harry Lime/Orson Welles. ...

• Orson Welles .
• Orson Welles.
• Orson Welles, Joseph Cotten, Agnes Moorehead.
• Orson Welles ground-breaking work chronicles a publishing tycoon's rise to power, told through a reporter's efforts to discover the meaning of his….
• Orson Welles.
• Following up CITIZEN KANE, Orson Welles again drew a bead on the American rich, chronicling the dynastic squabbles of a turn-of-the-century….
• Joseph Cotten, Dolores Del Rio, Orson Welles….
• Orson Welles.
• Orson Welles, Edward G. ...
• Orson Welles plays a Nazi war criminal who marries an unsuspecting American, but Edward G. ... Welles also directed this….
• Orson Welles.
• Rita Hayworth, Orson Welles.
• A bold experiment from Orson Welles in which his Irish traveller joins Rita Hayworth and others aboard a luxury yacht where a murder-mystery evolves. ...
• Orson Welles.
• Orson Welles, Jeanette Nolan, Roddy McDowall.

• (Orson Welles)(Brief Article)Harper's Magazine, June, 2000.
• From "Orson Welles: Actor, Auteur, Copywriter?" a transcript of a recording session/or a television commercial voice-over, in the Winter 1992 issue of DIS: Southeastern Culture Quarterly, published in Tallahassee, Florida. Welles died in 1985.
• ORSON WELLES Reading copy : "We know a remote farm in Lincolnshire where Mrs. ...
• WELLES: Don't you think you really want to say "July" over the pictures of snow? Isn't that the fun of it?.
• WELLES: I don't understand you.
• WELLES: Why? That doesn't make any sense. ...
• WELLES Reading copy : "We know a certain fjord in Norway near where the cod gather in great shoals. ...
• WELLES: Yeah, roll it around. ...
• WELLES: What?.
• WELLES: Take "crumb" out. ...
• WELLES: Here, under protest, is "beef burgers. ...
• WELLES: What do you mean, missed it?.
• WELLES: But you can't emphasize "beef. ...
• PRODUCER: Orson, you did six of these last year, and they were far and away the best, and I know the reason.
• WELLES: The right reading for this is the one I'm giving it. ...

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