Clara Bow: Runnin' Wild The Incredible Story of Clara Bow Tres cómicos del cine Middlesex : A Novel The World Almanac and Book of Facts 2004 Fugitives and Refugees : A Walk in Portland, Oregon Latin Looks: Images of Latinas and Latinos in the U.S. Media The Encyclopedia of Country Living: An Old Fashioned Recipe Book The Witching Hour

• Clara Bow.
• Clara Bow : runnin' wild / by David Stenn. ...
• Bow, Clara, 1905-1965. ...

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• Clara Gordon Bow, destined to become THE flapper of the 1920's, was born and raised in poverty in Brooklyn, New York, on July 29, 1905. ... Her mother tried to slit Clara's throat when she attempted to enter the film industry. ... The film starred Clara as a shop girl who was asked out by the store's owner. ... This movie did a lot to change society's mores as there was only a few years between World War I and Clara Bow, but this movie went a long way in how society looked at itself. Clara was flaming youth in rebellion. ... Clara was also involved in several court battles ranging from unpaid taxes to being in divorce court for "stealing" women's husbands. ... Clara was confined to a sanitarium from time to time and was not allowed access to her loving sons she adored very much. ...
• (End of Clara Bow Biography) .
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• Clara Bow in The Wild Party.
• Clara Bow was the "It" girl. No one could define "It," but they knew "It" When they saw "It" and Clara Bow had more of "It" than anyone else in film. ...

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• Born on July 29, 1905, in Brooklyn, New York, Clara Bow was born into a poor family; she was sexually abused by her father and neglected by her mentally unbalanced mother. ... Thereafter known universally as "the It Girl," Bow was the embodiment of beauty, abandon, and sex appeal for the moviegoers of the Jazz Age. ... Having suffered from psychiatric problems, Bow died in West Los Angeles, California, on September 27, 1965.
• David Stenn, Clara Bow: Runnin' Wild (1988), includes a lengthy bibliography.

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• Clara Bow, Frederic March, Shirley O'Hara, Marceline Day.
• " Vivacious Clara Bow was 24 and already had made close to 50 films when Dorothy Arzner directed her in The Wild Party. ... A year later, Bow was washed up, from a combination of second-rate films, extreme mike fright and fallout from a series of scandals. ... Paramount waited two weeks before Clara Bow went before the microphone.
• It capitalized not only on the 1920s craze for college films, but echoed Bow's greatest success, It in its theme of female friendship and Bow's sparing a friend's reputation by taking the blame for a transgression herself. ... ) The story may have fit her "like a wet bathing suit," but Bow said she felt "constant fear" throughout filming; sound recording paralyzed her. According to legend, Arzner improvised by attaching the stationary microphone to a fishing pole to follow Bow around the set, giving her more freedom than had been possible, but often the mike had to be hidden, or her eyes would unconsciously drift towards it.
• Her Brooklyn accent was considered a liability in the days when "Kansas City British" was the ideal, but as the New York Times noted, "Miss Bow's voice is better than the narrative. ... " Bow didn't feel that way. "The sound of herself on screen was everything she had expected and worse, and although Dorothy Arzner reassured her, Clara was inconsolable. ...
• Bow's childhood had been impoverished and sordid. ... Sixteen year old Clara Bow won the "Fame and Fortune Contest" and went to Hollywood. ...
• The air is full of rumors about the marriage plans of Clara Bow and Harry Richman. Some say the romance is over; others say it's not, but the fondness with which Clara regards the Great Dane that Harry gave her seems to indicate that her heart is still in the right place. ...
• She was a skilled editor, having cut both The Covered Wagon and Valentino's Blood and Sand; she then directed four silent films, including Bow in 1927's Get Your Man with Charles "Buddy" Rogers. Arzner admired Bow: "She was just automatically a natural. ... " But, Clara's favorite directors were Victor Fleming and Clarence Badger, and one would think Paramount would have assigned her one of those proven hit-makers. That Arzner directed The Wild Party may be another indication that the studio felt Bow's sound career was doomed.

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• Please don't tell me that you haven't heard of Clara Bow. ... (Typical conversation between me and a kid at school: "I can't believe that Clara Bow's one drama attempt is in a lost film. " "Who's Clara Bow?") I mean, really. ...
• Clara Bow was born in a Brooklyn tenement in 1905 to an abusive wifebeating father and a mother who did not want children. ... ) When Clara was born, her mother Sara was so sure this one had died as well that no birth certificate was ever obtained. It would not be long before Clara became aware that she was unloved.
• Clara had a sordid childhood. ... Clara's one escape was the movies, and she escaped often. ... Clara sent two cheap photos of herself in and hoped for the best. ... When Clara won the contest, her mother actually chased her with a butcher knife. ... Clara was to become an actress and there was nothing her cruel parents could do about it.
• Clara had been underrated her whole life; life in the movies was not an exception. Clara was too young, too short, too fat, and too ugly. ... As for being ugly- yeah right!!! When Clara first was required to cry before the camera, the director assumed she couldn't. ...
• Clara became a star rather quickly. ... Clara, barely twenty two years old, basked in her 45,000 fan letters a month and her streams of fans. ...

• Badger made three films with Clara Bow, two of which are missing: RED HAIR and THREE WEEKENDS. Since some of the cans of film were labeled with Miss Bow’s name or “Red Hair,” it was hoped that the movies had been found.
• The first report was that there was no Bow material in the cans so labeled. ...
• Clarence Badger and Clara Bow.
• Fun at the ranch (Clara Bow 2nd from the right).
• But Jere Guildin wrote recently, "All that was in the collection from Clara Bow silent films were pieces from RED HAIR. ... David Stenn, who wrote the biography on Bow, Running Wild, is funding preservation of the fragments. He's paid for preservation of several other Bow features at UCLA in the past. ...
• Since Clara Bow has a strong association with Lone Pine through Badger, but her three films with him were not made here, the Museum has been more interested in the cans that are labeled as “home movies” shot on the ranch of Badger’s guests.

• CLARA BOW in IT.
• CLARA BOW in "IT".
• It was Glyn who defined the "It" of this film's title and Clara Bow's fame as the "It" girl. "One is struck with the positive vitality that radiates from Clara Bow's shadow on the screen. ...

• CLARA BOW: My Life Story .
• It isn't at all the sort of life story you would expect to belong to Clara Bow. For you know the Clara Bow who has been driven by misery and loneliness to clutch at joy and merriment almost wildly. ...
• On an adjoining farm lived a family named Bow. ... There were thirteen children in the Bow family and my mother had always played with them. The youngest of them was a boy, Harry Bow. ...
• When I came tearing in Johnny screamed "Clara, Clara, help me. ...
• The last thing he said was "Clara- Clara-. ...
• For months I used to wake up and think I heard that little fellow calling "Clara-Clara-help me. ...
• In the second installment of her Life Story, Clara Bow tells Adela Rogers St. ...
• Miss Bow tells of the days when ridicule, disaster and defeat nearly ended her career .
• Last month Clara Bow told how her mother, who was of French descent, married her father, the youngest of a neighboring Scotch-English family of fourteen. ... Clara's father had difficulty making a place for himself. ... Clara was the third. ...
• At school Clara read of a motion picture contest. ...
• " Me-Me-little Clara Bow. ...

• In typical outspoken Brooksian fashion, Lulu railed at Brownlow for focusing on "some old fucks and not even mentioning Clara Bow's name. ...
•         But from the middle 1920s to the early '30s, Clara Bow was a force to be reckoned with - a natural force, like a hurricane or tidal wave. ... With an irresistible combination of earthiness, humor and sensuality, Clara Bow singlehandedly changed the way America looked at sex. ...
•         But Clara's frantic flapper act, both on and offscreen, was fueled by tragedy and a life whose melodrama rivaled any fiction. ... If Clara Bow hadn't existed, '20s Hollywood would have had to invent her.
•         But underneath the fun and games, Clara carried the emotional scars of a squalid, dysfunctional childhood that rivaled anything ever doled out by Charles Dickens. ...
•         Born in a Brooklyn tenement in 1905 to a schizophrenic mother and an absent father, Clara's only escape was going to the movies. ...
•          It launched what would become a long line of Clara Bow formula films. With titles like Rough House Rosie (1927), Red Hair (1928), and Dangerous Curves (1929), the common elements of all these pictures was a feeble plot, a nondescript leading man, and Clara endlessly reprising her spunky flapper role. ...
•         But in spite of the interchangeability of these elements, Clara always managed to transcend her material. Coming to film totally untrained in the theatrical arts, Clara proved to be a natural match for the new technology of motion pictures. ...
•         And Clara was no prima donna. ... " Unlike many other silent stars, Clara managed to successfully make the transition to sound. ... With Clara branching out into more dramatic roles, the potential was there for the rebirth of her career, this time as a serious actress in the new talkie medium.
•         But Clara was exhausted. ... Instead, Clara was wracked with insomnia, hypochondria, suicide attempts, and frequent institutionalization. ...

• CAST: Betty Lou (Clara Bow), Cyrus Waltham (Antonio Moreno), Monty (William Austin), Molly (Priscilla Bonner), Adela Van Norman (Jacqueline Gadsdon), Mrs. ...
• Looking at Clara Bow and the era that made her famous, it seems inevitable that she would lead the life she did. ... With the naivete born of a 7th grade education and a world view confined to the Brooklyn tenements where she grew up, Clara Bow would go on to become the unhappy pawn of a studio system willing to sacrifice the mental health of their star properties for the sake of a quick profit. ...
• Clara Bow's popularity was defined by a vivacious, confident screen presence which made her a symbol of feminine sex appeal in the 1920s. ...
• Clarence Badger, who was initially frustrated by her inability to take direction, watched in amazement during the filming of one particular scene as Clara ran the gamut of emotions - from love to lust to playfulness. ... " Clara Bow's dream of becoming a movie star was brought to life when she won a beauty contest; the prize was a small part in Beyond the Rainbow (1922). ... His decision to enter politics took him away from home for long periods of time, isolating Clara to raise their two sons by herself. ...

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• Literatur über/zu Clara Bow.
• The Incredible Story of Clara Bow. ...
• David Stenn: Clara Bow. ...
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• Marsha Orgeron: "Making It in Hollywood: Clara Bow, Fandom, and Consumer Culture". ...

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