The Philosophy of Andy Warhol Andy Warhol Diaries Andy Warhol Prints: A Catalogue Raisonné 1962-1987 Andy Warhol Pop Box: Fame, the Factory, and the Father of American Pop Art I Bought Andy Warhol Uncle Andy's Factory Made : Warhol and the Sixties Year in the Life of Andy Warhol, A Andy Warhol 365 Takes: The Andy Warhol Museum Collection

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• I Shot Andy Warhol.
• I SHOT ANDY WARHOL is set mainly in the mid 60s and is based on a true story. It is done in quasi-documentary style and tells about the life of Valerie Solanas (Lili Taylor) who shot Andy Warhol (Jared Harris) because "he had too much control over my life. ...
• The movie starts with Andy alive but his body bloody and quivering after being shot. ...
• Warhol is right about the play being crude. ...
• What was the director trying to accomplish? I finally decided perhaps the message was about the shallowness of the 60s drug culture in general and of Andy Warhol in particular. ...
• Andy comes off as having no visible talent, and his brain seems to be on another planet. ...
• His friends having a vastly stilted view of "The Factory" where Warhol's people hang out and work. ...
• I SHOT ANDY WARHOL runs 1:40. ... I can not recommend this film whose only claim to fame, other than the great performance by Lili Taylor, is its attempt to shock and to show us the nihility of the 60s drug culture and of Andy Warhol. ...

• Leading exponents are Richard Hamilton (British, 1922-), Andy Warhol (American, 1928?1930?-1987), Roy Lichtenstein (American, 1923-1997), Claes Oldenburg (American, 1929-), Jasper Johns (American, 1930-), and Robert Rauschenberg (American, 1925-). ...
• Andy Warhol (American, 1928?1930?-1987), Campbell's Tomato Soup, 1962, oil on canvas.
• Andy Warhol, Gold Marilyn Monroe, 1962, synthetic polymer paint, silkscreened, and oil on canvas, 6 feet 11 1/4 inches x 57 inches (211. ...
• Andy Warhol, Marilyn Monroe, silkscreen painting.
• Andy Warhol, Roll of Bills, 1962, pencil, felt-tipped pen, and crayon on paper, 40 x 30 1/8 inches (101. ...
• Andy Warhol, Do-It-Yourself Seascape J, 1963, oil on canvas. By the 1960s the popularity of paint-by-numbers had thoroughly dismayed art critics -- just the thing to tempt Andy Warhol to embrace it as Pop Art subject matter. To produce this picture, Warhol projected the line art from a paint-by-numbers kit onto a large canvas before painting.
• Andy Warhol, Mao, 1973, silkscreened acrylic on canvas, 448. ...
• Andy Warhol, Mick Jagger, 1973, silkscreen, 73 / 250, 74 cm x 112 cm, Tehran Museum of Contemporary Art, Iran. ...
• Andy Warhol, Portrait of Jamie Wyeth with Tan Background, 1976, acrylic and silkscreen, Cheekwood Art Museum, Nashville.
• Andy Warhol, Last Self-Portrait, 1986, acrylic and silkscreen on canvas, 80 x 80 inches (203. ...
• Andy Warhol (1928?1930?-1987), American Pop artist.
• The Pop Art issue (number 3) came out in December 1966, having been designed by Andy Warhol and David Dalton, and containing pieces by Lou Reed, John Cale, Timothy Leary, Robert Rosenquist, Claes Oldenburg, Jasper Johns, Roy Lichtenstein, and others. ...

• Warhol was one of the major figures of the Pop Art movement in the 1960's. Originally Warhol was a commercial illustrator like many other Pop artists, and ended up exploiting the commercial icon in both subject matter and in production technique. ...
• Warhol also applied this same technique to his portraits of movie stars, royalty, and sports figures. Warhol became a cult figure and superstar in his own right.
• Site Pick: Warhol Museum.

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• andy warhol: rorschach paintings by Mia Fineman Andy Warhol's Rorschach paintings, produced in a giant spurt of activity in 1984, have the kind of star quality that Warhol always admired. ... Aside from the undeniably genital imagery, the symmetrical networks of thick, syrupy veins of paint left behind by Warhol's pour-and- fold technique conjure up the fleshy physicality of lungs or kidneys. ... Although Warhol professed ignorance about the standardized blots of the official Rorschach Test, he was obviously intrigued by their serial repetitiveness and formulaic impersonality. ... " Warhol never actually got around to hiring an analytical ghost-writer, but Gagosian managed to snag critic extraordinaire Rosalind Krauss to say something interesting about the paintings. ... If the Color Field painters wanted to transcend the carnal messiness of Abstract Expressionism, to move painting into the disembodied realm of pure opticality, as Krauss says, then Warhol "pulled the plug" on these sublime aspirations by reminding us that there's no form so innocently abstract that it can't be turned back into literary content--like a tree or a bird or a flower. ...

• I noticed a correction to a Warhol quote I put up. ...
• Sorry about that, I mistakenly assumed the quote in the Wikipedia article Andy Warhol was correct. ...
• As far as I can deduce, Warhol said the quote originally in the 60's sometime, then quoted himself again later in reference to Studio 54. ... Perhaps the Wikiquote should also have the original quote by Warhol, in addition to the Studio 54 one, so there is some kind of continuity there, along with a comment stating the differences between the two. ...

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• PACK RAT: A photo of the stairway in Warhol's house, lined with Edward Curtis photographs, is on view at a new exhibit in Pittsburgh.
• THE ANDY WARHOL MUSEUM.
• Andy Warhol's possession obsession.
• Andy Warhol – artist, collector of oddities, and symbol of all things pop – still fascinates us.
• In fact, with an entire museum in Pittsburgh devoted to his work, plus exhibitions traveling worldwide, jaw-dropping sale prices for his artworks, and even an upcoming United States postage stamp, Andy Warhol – artist, collector, and the original king of all media, aka the "pope of pop" art and culture – is more famous than ever.
• Two big Warhol events happened this month alone: The Andy Warhol Museum opened a major exhibition titled "Possession Obsession: Objects from Andy Warhol's Personal Collection. " And Phaidon Press released the first hefty volume of a six-volume, $250-per-copy "Andy Warhol Catalogue Raisonne" that scrutinizes his entire output (Vol. ...
• London's Tate Modern museum is featuring a large Warhol retrospective that originated at the New National Gallery in Berlin. ... Last year alone, the Warhol museum handled 39 traveling exhibitions and loans. ...
• Bob Dylan must have kicked himself a few times over his decision in the '60s to trade Warhol's gift to him of a huge double Elvis image for a couch. At the time, of course, neither Dylan nor Warhol had an inkling that they'd both become enduring pop-culture icons.
• The reason Warhol is still important, says Andy Warhol Museum director Tom Sokolowski, "is that he was a pretty good artist. ...
• Adds Andy Warhol Foundation agent Vincent Fremont, "He was this visionary, the most intuitive person that I have ever made contact with. ...
• As a prognosticator of all things cultural – both pop and haute – Warhol was never wrong, Mr. ... Reverberations from Warhol's work now permeate not only the art world, but advertising, publishing, and filmmaking as well. Half of the artists in the biennial exhibition now at the Whitney Museum of American Art in New York, one of the world's most prestigious modern art exhibitions, "would not be making the art they do if not for Andy," Mr. ...

• Al snel werden ze ontdekt door pop-art kunstenaar Andy Warhol, die ze in 1966 door de Verenigde Staten mee op tour nam als onderdeel van zijn multimediashow The Exploding Plastic Inevitable. ...
• Toen de band in 1967 haar debuutplaat op wilde nemen, was ze al versterkt door drummer Moe Tucker en, op advies van Warhol, het Duitse fotomodel Nico. ...
• Nadat eind jaren tachtig zowel Warhol als Nico overleden, besloten Reed en Cale weer samen te gaan werken. Samen maakten ze het album 'Songs for Drella' als herinnering aan Warhol. ...
• Andy Warhol's Velvet Underground (1971) .

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• Although Andy Warhol died in 1987, he remains the most contemporary of artists. Warhol's apparently vacant gaze at what he called 'all the great modern things' - soup cans, Marilyn, car crashes - still makes his paintings, films and photographs utterly provocative. Arguably the most important artist of the 20th Century, Warhol's work has been collected by nearly every major art museum in the world, and a vast institution in the town of his birth is solely dedicated to his work: The Andy Warhol Museum in Pittsburgh, USA.

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• The leading exponent of the pop art movement, Warhol chose his imagery from the world of commonplace objects such as dollar bills, soup cans, soft-drink bottles, and soap-pad boxes. ... ” In the mid-1960s Warhol began making films, suppressing the personal element in marathon essays on boredom. ... With Paul Morrissey, in 1974 Warhol also made the films Frankenstein and Dracula. In 1973, Warhol launched the magazine Interview, a publication centered upon his fascination with the cult of the celebrity. ... The Andy Warhol Museum, which exhibits many of his works, opened in Pittsburgh in 1994. ...
• Ratcliff, Andy Warhol (1983); D. Bourdon, Warhol (1989); and V. Bockris, Life and Death of Andy Warhol (1989); W. Koestenbaum, Andy Warhol (2001).
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• Reviews: Andy Warhol: Private Drawings from the 1950s: Show doesn't need the full 15 minutes. ...
• Wallpaper Mao: Don DeLillo, Andy Warhol, and Seriality. ...
• White-on-white: The overbearing whiteness of Warhol being. (Andy Warhol) .

• Andy Warhol - The big wig.
• When Andy Warhol turned film-maker, he cocked a snook at Hollywood and the avant-garde, changing both forever, argues Mike O'Pray.
• It is pure Warhol. ...
• Pop artist Andy Warhol's films are important because they influenced two kinds of cinema: Hollywood absorbed their gritty street-life realism, their sexual explicitness and on-the-edge performances; the avant-garde reworked his long-take, fixed-camera aesthetic into what came to be known as structural film – an austere, formalist project.
• When he started making films in 1963, however, Warhol knew nothing about the mechanics of film. ...
• At that moment in the early 60s, Warhol was on the crest of a wave as one of the most important artists on the New York scene, famous for his silk-screen paintings of iconic American figures (Marilyn Monroe), consumer objects (Campbell's soup cans) and dramatic images of death (lurid car accidents, the electric chair). ... Like Rauschenberg and Johns, Warhol was gay, but unlike them he embraced the swish, camp images and attitudes of the gay world, especially when he turned to film. ...
• Alone among major artists of the twentieth century Warhol committed himself seriously to film, so much so that in 1965 he stated that he was giving up painting. Warhol's prolific output, which ran to many hundreds of films, some only discovered after his death, was all produced between 1963 and 1968. ... Second, from 1964 Warhol used the Auricon camera with its built-in sound system (perversely, it was first used for the silent epic Empire). ... It was then that Warhol launched his 'superstars', including Edie Sedgwick, Gerard Malanga, Viva and the drag artist Mario Montez. ... Warhol told Tavel that he didn't want plot, only 'incident'. ... But after Valerie Solanas' bullets ripped into his body on 3 June 1968, Warhol's film involvement was much more at arm's length, though he continued to lend his imprimatur to films directed by Morrissey, such as Flesh (1968), Trash (1970) and Heat (1972). ...
• As a film-maker, Warhol achieved international fame without showing many of his films more than once or twice to small arthouse audiences in New York. ... But these images of extreme passivity (a building, an unconscious man), made with extreme passivity, were unique in Warhol's oeuvre. Most of Warhol's films were of people, often doing very little – or a lot – ineptly. ...

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• Andy Warhol Diaries by Pat Hackett (Editor).
• Andy dictated his diary to Pat Hackett at 9:30 am daily from wherever he was in the world. It started out as an expense account diary, but it turned into gossipy dish about the wild times in the Warhol world of the 70s and 80s. One can almost hear Andy speaking the words in his low, whiney voice. ... Andy was a lost soul and it comes through very clearly in his quest for acceptance. ...
• Andy Warhol : Drawings 1942-1987 by Mark Francis, Dieter Koepplin, Andy Warhol .
• Though he is chiefly viewed as a monumental pop-art icon, Andy Warhol was truly a man of many talents. ...
• Never more so than in the case of Andy Warhol has a book of drawings so brought an artist's humanity forward. ... Warhol was a prolific drawer, and draw he could. ...
• The catalog Andy Warhol: Drawings, 1942-1987 offers rare insight into one of the century's strangest and most interesting artists. ...
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• Andy Warhol (6 augustus 1928 - 22 februari 1987) was een Amerikaanse kunstschilder, die tot de stroming Pop-Art behoort. ...
• Warhol richtte ook de studio de "Factory" op, waarmee hij honderden (underground)films opnam. ...

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• "Andy Warhol began as a commercial illustrator, and a very successful one, doing jobs like shoe ads for I. ... From then on, most of Warhol's best work was done over a span of about six years, finishing in 1968, when he was shot. ...
• Not that Warhol worked this out; he didn't have to. ...
• Warhol's thirty-two soup cans are about nothing of the kind. ...
• This affectlessness, this fascinated and yet indifferent take on the object, became the key to Warhol's work; it is there in the repetition of stars' faces (Liz, Jackie, Marilyn, Marlon, and the rest), and as a record of the condition of being an uninvolved spectator it speaks eloquently about the condition of image overload in a media saturated culture. Warhol extended it by using silk screen, and not bothering to clean up the imperfections of the print: those slips of the screen, uneven inkings of the roller, and general graininess. ...
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• warhol · The Warhol mailing list is a forum for people to discuss anything regarding Andy Warhol. ...
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• Andy Warhol Interview.
• As part of the demonstration of the Amigas ability Commodore invited Andy Warhol to create a portrait of Debbie Harry, lead singer of Blondie using Island Graphics Graphicraft. ...

• The Andy Warhol Museum, Pittsburgh. ...
• Public Faces, Private Parts: Andy Warhol's Portraits and Torsos.
• Portraiture and the nude, the most traditional subjects of the artist, were central to Andy Warhol's work throughout his career. As is the case in much of his oeuvre, Warhol, with a keen grasp of art history and understanding of the power of traditional models, began with these classic subjects and created contemporary, Warholian images with his singular point of view and style. In reviewing Warhol's images of the human figure, one has the impression that the artist preferred to focus on parts or fragments, such as heads, torsos, penises, or feet. Warhol's portraits, a consistent interest throughout his career, and Torsos, a large series of paintings created in 1977, are the most fully realized of these partial views. While in the realm of portraiture the head is traditionally separated from the rest of the body, looking at these two parts together provides unique perspective on Warhol's representations of the human figure. ...
• Warhol's career may be traced through the portraits he created. ... During his first years in New York in the 1950s, Warhol created beautifully rendered portrait drawings of friends. ... In the 1970s and '80s, Warhol created thousands of portraits, reaching the height of his success as a commissioned portraitist. ... During this time, Warhol's over-the-top glamorous multiple-image portraits had become status symbols that people of a certain position had to have. ...
• Warhol's images of the nude trace a less visible, though very significant path through his career. ... It was in the 1970s, with his Torsos, that Warhol embarked on his most intense investigations of the nude. ... At this time, Warhol also created the Sex Parts, a related print portfolio that depicted gay sex. ... Unlike his portraits, which were a constant source of interest, and income, to the artist, the nude appeared more sporadically in Warhol's work. ...
• Both Warhol's portraits and Torsos draw from a rich store of art-historical precedent, to which the artist melded contemporary, popular models. Warhol's portraits recalled and revived a long tradition of society portraiture which had been widely fashionable until the early 20th century. ... While they are more about glamour, allure, and power than their subjects' personalities and inner lives, Warhol's portraits also now stand as a vast and compelling social history of the period from the 1960s through the 1980s. ...

• The Andy Warhol Museum .
• The Religious Art of Andy Warhol .
• I tend to agree, but I haven't studied Warhol in depth either. There is a sort of disdain towards Warhol in particular from those disaffected from pop art in general that I'm guilty of (though not wholesale, as it were). ...
• Without being able to see the cited art of Warhol, I find the claim that Warhol's art is intrinsically Catholic hard to accept. ...
• More than one seemingly religious person's secret sins have been exposed at their death; Warhol's secrets were that he went to church and served at a soup kitchen. ...
• TRANSUBSTANTIATING THE CULTURE: ANDY WARHOL'S SECRET.
• More than one seemingly religious person's secret sins have been exposed at their death; Warhol's secrets were that he went to church and served at a soup kitchen. ...
• In his final self-portrait, Andy Warhol's gaze is both perplexed and perplexing. ... Warhol probably had no expectation that this would be his final self-reflection, yet it's hard to imagine him treating himself differently even if he had known.
• Warhol treated everything the same. Cool detachment was as much a trademark for Warhol as Campbell's was for soup. Warhol's coolness has often been read as cynicism, and it did involve a degree of distance, but only out of a perceived need for self-protection. The seeming contradiction of Warhol's Self-portrait, and indeed all of his work, is that he expresses himself without revealing anything about himself; he is at once alienated and self-alienating.
• There is scarcely a person in America whose life has not been affected—whether or not they know it—by the way Warhol transformed our understanding of our culture. Certainly there is no serious artist working today who has not been influenced by Warhol's conversion of the banal world of consumer culture into the sacred realm of art. We see ourselves and our world reflected in the mirror of Warhol's art, but the image has still not come into full focus. By the time he painted this last Self-portrait, Warhol had become the most famous artist in the world; but more than a decade later his art remains enigmatic.

• Christa Päffgen (October 16, 1938, Cologne, Germany - July 18, 1988, Ibiza, Spain), better known as Nico, was a 1960s model, adopted as a protegée by Andy Warhol, and an occasional singer in The Velvet Underground. ...

• Sehr bekannt sind Andy Warhols Serigraphien, die Comics von Roy Lichtenstein und die Nachbildung mit weichen Materialien aus der Hand von Claes Thure Oldenburg. ...
• Die Amerikaner Andy Warhol und Roy Lichtenstein gelten als die berühmtesten Vertreter dieser Kunstrichtung. ...

• Ni las compañías discográficas ni el famoso Andy Warhol apostaron de verdad por ellos. ...
• En una de estas actuaciones fueron descubiertos por un amigo de Andy Warhol, que fue otro día a verlos y pensó de inmediato en ellos como el grupo de música perfecto para un espectáculo que estaba ideando. ...
• Cuando Warhol pudo ver al grupo en acción, quedó impresionado. ... Warhol pensó que debían tener una cara bonita al frente del grupo para darle un mayor atractivo y "dulcificar" la impresión provocada por su música chirriante y machacona. ... Al final llegaron a un acuerdo para aprovechar la promoción que Andy Warhol podría darles y adaptaron algunas canciones para que Nico las cantara, como Femme fatale. ...
• El invento de Warhol llevaba el curioso nombre de Exploding Plastic Inevitable (E. ...
• Finalmente, en mayo de 1967, consiguieron publicar su primer disco, con el diseño de portada de Warhol y con el nombre de Nico añadido al del grupo en el sello Verve, filial de la MGM. ...

• Es aquí donde conoce a Andy Warhol, con quien empezarian una amistad, y una colaboración profesional. ... En 1984 Warhol le presentó al galerista suizo Bruno Bischofberger, quien dio a conocer su obra en Europa y con quien colaboró estrechamente hasta su muerte. ...
• En 1985 colabora con Francesco Clemente y Andy Warhol, aunque las obras producidas no despiertan una respuesta positiva en la crítica. ... Entre 1984 y 1885 los lienzos viajaron de un estudio a otro; normalmente los empezaba Warhol, Clemente los perfeccionaba y Basquiat los remataba. Sin embargo, Warhol y Basquiat se entendieron particularmente bien. Warhol dejó escrito en su diario: “Jean Michel Basquiat ha consequido que pinte de una forma muy diferente, y eso esta muy bien”. La idea de pintar juntos fue considerada enriquecedora para ambos porque Warhol, que en aquel momento sólo empleaba técnicas como la serigrafía, volvió a coger el pincel, y Basquiat comenzó a conocer las técnicas mecánicas aplicadas a la pintura. El “establishment cultural negro” critíca el patronazgo de Warhol a un artista negro. ...
• La autopromoción y el reclamo publicitario fueron para Basquiat factores prioritarios, como con anterioridad lo habían sido para Andy Warhol o Julian Schnabel El neoexpresionismo se fue imponiendo al apropiacionismo, en parte gracias a la pujanza económica que elevó a altas cotas el precio del arte y, especialmente, de la pintura, y en parte gracias al apoyo de galeristas y coleccionistas. ...
• Tambén precisa que: “Su intención no era tanto construir una capillita más para la cultura afroamericana sino competir en igualdad de condiciones con su mentor Andy Warhol”. ...
• Tal como sostiene Irving Sandler, Basquiat, que desde 1980 hasta su muerte, alcanzó un éxito y notoriedad nada comunes, al igual que unos años antes había hecho su “padrino” Andy Warhol, se convirtió en prototipo del genio romantico, atractivo, rebelde, hip y salvaje y a, a la vez, en el profesional ansioso de celebridad y dinero, en la última de las estrellas del universo rutilante de A. Warhol. ...
• La idea de su inmortalidad aparecía como pretexto cada vez que un Warhol paternal le recriminaba el abuso de las drogas: “No te preocupes, soy inmortal”. ...
• El cantante David Bowie interpretó el personaje de Andy Warhol .
• Acrílico y crayón de óleo Brazo y martillo, 1985 (elaborado en conjunto con Andy Warho) Acrílico sobre tela En la cifra,1982 Acrílico, óleo, crayón de óleo, marcador y collage sobre tela Los colonos holandeses (parte I), 1982. ...

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