Desire of the Everlasting Hills : The World Before and After Jesus Insight Guides Northern Italy (Insight Guides) Answers To Tough Questions Mammoth Encyclopedia of the Unsolved False Impressions Frommer's Italy 2004 The Count of Monte Cristo Painting and Experience in Fifteenth Century Italy: A Primer in the Social History of Pictorial Style The Old Testament Pseudepigrapha (Vol. 2): Expansions of the "Old Testament" and Legends, Wisdom and Philosophical Literature, Prayers, Psalms and Odes, Fragments of Lost Judeo-Hellenistic Works

• In 1898 the photographer Secondo Pia was allowed to take a picture of the Holy Shroud of Turin, a relic purportedly preserving the aftertrace of the face and body of Christ on a cloth in which his body was wrapped. However, it was the negative to Pia's photograph that gave this relic its full modern power. ...
• In 1989, carbon tests dated the shroud to somewhere between 1260 and 1390 - that is, to the same period as the Roettgen Pietà, the era of the High Gothic in art. ... If the Shroud is a medieval forgery, it means that medieval minds did intuit the nature of photography: they deliberately made a negative image that needed to be mentally or physically "reversed". ...
• Leonardo's Last Supper stands as a negative, or positive, anti-image to the terrifying Turin Shroud. In the shroud we look into an abyss of history and wonder. ...

• Il libro documenta un secolo di sforzi, dalla prima fotografia scattata da Secondo Pia nel 1898, all’«interesse scientifico che va crescendo lentamente» fra le due guerre, alle indagini frenetiche dagli anni Settanta in poi, con la costituzione di appositi gruppi di ricerca come lo Strup (Shroud of Turin Research Project), lacerati da scismi. ...

• Jesus and the Shroud of Turin.
• Starring of Jesus and the Shroud of Turin.
• Jesus & The Shroud of Turin.
• Features of Jesus and the Shroud of Turin.
• Product Description of Jesus and the Shroud of Turin.
• Everyone knows the Shroud of Turin is a forgery--right? Didn't scientists establish its age as only a few hundred years with superreliable carbon dating? Not so fast--the producers of Jesus and the Shroud of Turin have another story. Through interviews with Shroud scholars from fields including scientific photography, botany, and medicine, they try to show that the Shroud could only have been made in Jerusalem, and only 2,000 years ago. ...
• Reviews for Jesus and the Shroud of Turin.
• This video is an excellent documentary of the Shroud's history and scientific investigation. ... The Shroud is not a "dead" issue. ...
• I never knew that In 1898, Secondo Pia took the positive photograph. ...

• THE SHROUD OF TURIN.
• In 1898 one of the earliest photographers, Secondo Pia, took a picture of herringbone linen known as the Shroud of Turin, in the city of Turin, Italy. Secondo Pia's camera had focused on the pale, subtle, sand-colored etching on the surface of the linen purported to be the image of the crucified body of Jesus Christ. ...
• The above shows the Shroud as it looks and the image Secondo Pia saw when he looked at his negative plate. The Shroud itself had acted like an negative. ... If the Shroud had been around Jesus' body at the moment of resurrection, as many believed, the image was that of Jesus. Secondo Pia had a photograph of Jesus lying dead from crucifixion.
• Some readers are going to remember hearing the authenticity of the Shroud had been proven false through carbon 14 dating in 1988. ... A controversial theory states the shroud's fibers are coated with bacteria and fungi that skewed the carbon testing. As the carbon 14 test was the one scientific snag in my research, this 1993 question of its validity is sufficient for me to throw out the carbon 14 results, that the Shroud was not as old as it would have to be to have been the burial shroud of Jesus.
• According to tradition, when placed in the tomb Jesus' body had been packed with blocks of aloes and myrrh with a shroud draped over the body to cover both the front and back. Thus, the mid point of the shroud corresponded to the top of the head. The only thing remaining after Jesus' supposed resurrection was the shroud.
• For fourteen hundred years, the burial shroud had essentially been lost. ... By 1578 the shroud was in Turin, Italy where it has remained under control of the Catholic Church. ...
• Perhaps the most important event surrounding the Shroud was the 1532 fire that nearly destroyed the linen. ...

• El examen realizado en aquel entonces por el Shroud of Turin Research Projec (Proyecto de Investigación de la Síndone de Turín), y que concluyó entre otras cosas que la imagen impresa en el lienzo evidenciaba una absoluta estabilidad térmica, que ni siquiera había quedado alterada por el incendio del siglo XVI; que no había en ella huellas de la más leve pigmentación; que era tridimensional en su intensidad según la distancia del cuerpo al lienzo; que se trataba de un perfecto negativo fotográfico; que no había en ella direcionabilidad —o sea los trazos de un posible pintor—, etc. ...
• A finales del siglo pasado el fotógrafo Secondo Pia tuvo la oportunidad de sacar varias placas de la Síndone. Al revelar las dos enormes placas de 51 x 63 centímetros, Secondo Pia se llevó una notable sorpresa: la Sábana Santa era en realidad un negativo fotográfico a tamaño natural. En la placa fotográfica negativa de Pia se había descubierto un retrato en positivo. ...

• Home > Articles > The Shroud of Turin .
• THE SHROUD OF TURIN.
• IS THE SHROUD A PAINTING?.
• The Shroud, gradually, from an object of pious devotion to a number of Catholic, after it was photographed and made known in 1898 became an object of study and, necessarily, of controversy to hundreds of scientists, historians, theologians and scriptural experts. ... Secondo Pia, of Turin, fell into the hands of Yves Delage, professor of Comparative Anatomy at the Sorbone, member of the prestigious and very exclusive Academie Francaise, convinced and outspoken agnostic. ... The shroud itself is a piece of linen cloth about 14 feet long, bearing head-to-head along its length the anterior and posterior images of a man. ...
• THE STATURE OF THE MAN The image on the Shroud is of a male bearded adult, height 1. ... Carlton Cooc (ex Harvard professor) says: "Whoever the man of the Shroud could be, he is of the type still to be found in our days among the Sephardite Jews and Arabs of noble lineage. ...
• These medical details were absolutely unknown in the 15th century when, some say, the Shroud was faked. ... All scientists agree that the man of the Shroud was crucified. ... But the man of the shroud, like Jesus, did not have his legs broken. ...
• A detail which we could call unique is the imprint left by a long lock of hair that from the head fall on the shoulders on the backside picture of the Shroud. ... He does not hesitate to call this the most characteristic Jewish trait of the Shroud. ...
• Scourging and crucifixion were not generally connected, but we know that they were in the case of Jesus and they were too for the man of the Shroud. ...
• The image of the Shroud shows that the man in question was pierced and that there was an abundant flow of blood and serum. ...
• The knees of the Man of the Shroud are bruised. ...

• Elfenblut were not happy about my use of the Turin shroud on the cover artwork. ... }}\ls4\adjustright {\b\fs22\cf1\cgrid0 In my opinion the front page of the booklet shows a copy of the legendary Christ grave cloth of Turin. ... The Turin shroud is a 4. ... Many Christians have believed for centuries that it is the shroud provided by Joseph of Arimathea and wrapped around the body of Christ before he was laid in the tomb, an d that the image it bears is, therefore, an authentic portrait of the Son of God. ... \par }\pard \s16\nowidctlpar\widctlpar\tqc\tx4153\tqr\tx8306{\*\pn \pnlvlcont\ilvl0\ls0\pnrnot0\pndec }\adjustright {\fs22\cf1\cgrid0 The Shroud first appeared in Europe in the mid-fourteenth century, when it was exhibited in a small French country church by the impoverished widow of a minor nobleman, Geoffrey de Charny. \par No record survives of how the relic may have come into his possession, but some modern scholars believe that the Shroud might be identical with the Mandylion, another mysterious image of Christ, which was known to the Byzantine Empire, but which disappeared during the sacking of Constantinople by Crusaders in 1204. ... In 1453 de Charny' s daughter presented the precious relic to the House of Savoy, which has owned it ever since, although the Archbishop of Turin is its custodian. \par The authenticity of the Shroud has been an article of faith for many Catholics sin ce the fourteenth century, but many bishops have condemned it as a forgery and the Church has never officially vouched for its genuineness. ... \par In 1898, however, it was photographed for the first time, by an Italian photographer called Secondo Pia. \par On Pia's negative the image on the cloth sprang to life, showing the anatomical features and the details of the wounds with astonishing clarit y. The question immediately sprang to mind: why would a fourteenth-century forger create an image that could only be clearly seen as a photographic negative, a concept unknown before the nineteenth century? \par The Shroud quickly became the subject of intense scientific interest, and increasingly sophisticated testing.

• Il problema era già emerso a inizio secolo dopo le prime fotografie di Secondo Pia e chiaramente evidenziato da Yves Delage, patologo francese, agnostico, membro dell'Accadémie des Sciences. ...
• Dopo aver analizzato i negativi di Secondo Pia e rimasto impressionato dall'analogia esistente tra quell'immagine e la descrizione della morte di Gesù riportata dai Vangeli, disse: "se si trattasse di Sargon, di Achille o di un faraone, nessuno avrebbe pensato a fare obiezioni. ...
• Secondo Pia fotografa la Sindone - Catalogo della mostra, Torino 21 aprile-20 giugno 1998, Centro Studi Piemontesi, Torino, 1998. ...
• , The Turin Shroud, past, present and future - International Scientific Symposium, Torino, 2-5 March 2000, Effatà Editrice, Cantalupa (TO), 2000. ...
• WILSON, Ian, The Blood and the Shroud, Simon & Schuster, 1998. ...
• Shroud of Turin website: www. shroud. ...
• shroud. ...

• this cloth which is known today as the Shroud of Turin. ...
• paper to review the proof of authenticity of the Shroud but.
• At the present time the Shroud of Turin is.
• preserved in the cathedral in Turin, Italy, and it is the.
• photographed in 1898 by Secondo Pia and again in 1931 by G.
• investigator that the image on the Shroud is in effect a.
• appear on the Shroud image, clearly define the shape of the.
• counted the scourge-mark images on the Shroud have variously.
• imprints of the back on the Shroud. ...
• passion have appeared so distinctly on the Shroud image, one.
• wrists and forearms on the Shroud image. ...
• On the Shroud there are two prints representing the marks.
• transferred to the Shroud. ...
• Passion and Death as revealed by a study of the Shroud at.
• Turin. ...
• Bulst (1954) Das Grabtuch von Turin. ...

• SANTO SUDARIO DE TURIN.
• shroud. ...
• 1898 – Es tomada la primera fotografía por el abogado Secondo Pia entre el 25 y el 28 Mayo. ...

• This chain had continued for nineteen centuries, when, in 1898, the famous Shroud of Turin was photographed for the first time by Secondo Pia. ... What is marvelous to consider is that this process of elaborating the face of Christ throughout History in essence revealed the same features as those of the Shroud of Turin. ... Sculpted in the 13th century, it nonetheless closely approximates the image on the Shroud of Turin. ...
• The Shroud of Turin is a confirmation that the Holy Ghost inspired and protected the elaboration we mentioned of the true Face and Body of Our Lord. ...

• Ayer culminó la operación de desenvolvimiento de la Sábana Santa que hace cien años fue fotografiada por primera vez, por el abogado Secondo Pia que reveló al detalle la misteriosa figura impresa en el lienzo.
• fue hasta hace pocos años uno de los más destacados expertos en el estudio del Santo Sudario como director del Holy Shroud Guild de Nueva York (Estados Unidos). ...
• En 1951, obtuvo el permiso del Cardenal Spellman para erigir canónicamente el Holy Shroud Guild en Esopus, Nueva York. ...
• Otterbein, nombrado presidente del Holy Shroud Guild, recibió en 1970 la visita del Capitán John Jackson, quien había leído el libro de John Walsh sobre el Santo Sudario. ...
• El experimento atrajo a muchos científicos, al punto de que Jackson y Jumper solicitaron al Holy Shroud Guild auspiciar una conferencia científica en Albuquerque, Nuevo Mexico (Estados Unidos) en marzo de 1977. ...
• En setiembre de 1977, el Holy Shroud Guild llevó a un grupo de científicos a Turín para proponer una serie de pruebas que fueron finalmente aceptadas en abril de 1978, durante el 400 aniversario de la llegada del Manto a Turín. ...
• Sin embargo, el entonces constituido STURP, la sigla en inglés del Shroud of Turin Research Corporation -Corporación de Investigación del Manto de Turín- decidió enviar, por cortesía, a un representante para informar al Cardenal Ballestrero, entonces Arzobispo de Turín. ...
• - Fotografiada por primera vez en 1898 por Secundo Pia.
• Holy Shroud of Turin.
• shroud. ...
• The 1998 Turin Symposium (Junio 5-7, 1998).
• shroud. ...
• shroud. ...
• edu/shroud .
• it/shroud/ .
• La historia de Secondo Pia, fotógrafo.

• Nel 1205 La Sindone secondo una tesi recente viene localizzata ad Atene, presso i discendenti di Ottone La Roche.
• Secondo Pia. ...
• Al termine dell’ostensione dall’8 al 14 ottobre, 40 scienziati, prevalentemente statunitensi appartenenti allo Sturp (Shroud of Turin Research Project), effettuano misure ed analisi per 120 ore consecutive al fine di.
• 2000 2-5 marzo, Torino, Villa Gualino- Simposio di Studi Internazionale dal titolo: “ The Turin Shroud- Past, present and future”.

• Giovanni, il discepolo prediletto, riporta: "Essi presero il corpo di Gesù e lo avvolsero in bende di lino con aromi, secondo il modo di seppellire in uso presso gli Ebrei", (19, 40) poi più avanti "Arrivò anche Simon Pietro, che lo seguiva, entrò nella tomba e vide le bende per terra e il sudario, che era sul capo di Gesù, non per terra con le bende, ma ripiegato, in un angolo a parte" (20, 6-7). ... OSTENSIONE DELLA SINDONE TORINO, 18 APRILE - 14 GIUGNO 1998 ^ La Sindone, il Sacro Lenzuolo nel quale, secondo la tradizione, venne avvolto il corpo di Gesù Cristo dopo la deposizione dalla croce, è esposta nel Duomo di San Giovanni in Torino dal 18 aprile al 14 giugno 1998, sia nei giorni feriali sia in quelli festivi con orario delle visite fissato a partire dalle 7 fino alle 20,30 di ogni giorno. ... La prima reale sorpresa risale ad un secolo fa, al 1898, quando per la prima volta, venne fotografata da Secondo Pia ed il negativo della foto mostrò nei particolari, con un’evidenza ben maggiore del "positivo", tutti i "segni" che la Sindone custodiva. ...
• Al termine, dall’8 al 14 ottobre numerosi scienziati, prevalentemente statunitensi appartenenti allo STURP (Shroud of Turin Research Project), effettuano misure ed analisi sulla reliquia per 120 ore consecutive al fine di compiere un’indagine scientifica multidisciplinare. ... 1665 - Ostensione in occasione del secondo matrimonio di Carlo Emanuele con Maria Giovanna Battista di Nemours. ... Secondo Pia fra il 25 e il 28 maggio. ... Tra i reperti più significativi esposti vi sono: la cassetta entro cui la Sindone giunse a Torino nel 1578; la macchina fotografica con la quale Secondo Pia fotografò la Sindone nel 1898 e le relative lastre originali, le immagini realizzate da Giuseppe Enrie nel 1931, libri e documenti di argomento sindonico a partire dal Cinquecento; oggetti di culto, tra cui una ricca collezione di monete e di medaglie e una serie di oggetti e strumenti scientifici legati alle più importanti ricerche sperimentali sulla Sindone, come la raccolta di tele, frutto di esperimenti effettuati in questo secolo per studiare il meccanismo di formazione dell’immagine sul Lino. ...

• }}\ls3\adjustright {\b\cgrid0 Can we assume that the real features emerge best of all on top of the mask? \par }\pard \fi120\nowidctlpar\widctlpar{\*\pn \pnlvlcont\ilvl0\ls0\pnrnot0\pndec }\adjustright {\b\cgrid0 \par }\pard\plain \s18\nowidctlpar\widctlpar{\*\pn \pnlvlcont\ilvl0\ls0\pnrnot0\pndec }\adjustright \fs20\lang2057\cgrid {\cf1\cgrid0 Th e Turin shroud is a 4. ... Many Christians have believed for centuries that it is the shroud provided by Joseph of Arimathea and wrapped around the body of Christ before he was laid in the tomb, and that the image it bears is, therefore, an authentic portrait of the Son of God. ... \par }\pard \s18\nowidctlpar\widctlpar\tqc\tx4153\tqr\tx8306{\*\pn \pnlvlcont\ilvl0\ls0\pnrnot0\pndec }\adjustright {\cf1\cgrid0 The Shroud first appeared in Europe in the mid-fourteenth century, when the impoverished widow of a minor nobleman, Geoffrey de Charny, exhibited it in a small French country church. \par No record survives of how the relic may have come into his possession, but some modern scholars believe that the Shroud might be identical with the Mandylion, another mysterious image of Christ, which was known to the Byzantine Empire, but which disappeared during the sacking of Constantinople by Crusaders in 1204. ... In 1453 de Charny' s daughter presented the precious relic to the House of Savoy, which has owned it ever since, although the Archbishop of Turin is its custodian. \par The authenticity of the Shroud has been an article of faith for many Catholics since the fourteenth century, but many bishops have condemned it as a forgery and the Church has never officially vouched for its genuineness. ... \par In 1898, an Italian photographer called Secondo Pia photographed it for the first time. \par On Pia's negative the image on the cloth sprang to life, showing the anatomical features and the details of the wounds with astonishing clarity. The question immediately sprang to mind: why would a fourteenth-century forger create an image that could only be clearly seen as a photographic negative, a concept unknown before the nineteenth century? \par The Shroud quickly became the subject of intense scientific interest, and increasingly sophisticated testing. Paradoxically, every scientific test until the late 1980s tended to strengthen, rather than weaken, the case for the Shroud' s authenticity. ... \par (c) The thumbs are not visible; a particularly telling point, since a nail driven into the wrist at \par the point indicated on the Shroud would have severed the median nerve, causing the thumbs to \par curl tightly into the hand.

• La Veronica, sarà bene ricordarlo, era la pia donna che, secondo una leggenda tardomedioevale —diffusissima in Occidente, fino a divenire una delle stazioni della Via Crucis —, aveva deterso con il suo velo il volto di Gesù durante la dolorosa salita al Calvario. ...
• colloca la data di questo trasferimento negli anni che intercorrono fra il primo e il secondo regno di Giustiniano II (679 ca. ...
• Sempre secondo il padre gesuita gli archetipi a cui attingono fin dai primi secoli dell’era cristiana le immagini di Cristo, sia in Occidente che in Oriente, sono le uniche due Acheropite giunte fino a noi: la Sindone di Torino e il Volto Santo di Manoppello. ...
• Tuttavia vi sono numerosi casi nei quali questo semplice schema non viene rispettato: secondo l’autore, nelle catacombe romane e nei mosaici di Sant’Apollinare Nuovo, del 520, gli occhi di Cristo sono quelli del Velo di Manoppello, che all’epoca non doveva ancora esser giunto in Italia. ... si pone infatti alcune difficili domande: "Furono fatti dei disegni secondo il modello del Volto Santo che oggi è venerato a Manoppello già verso la fine del IV secolo?" (p. ...
• Nell’opera vengono analizzati sei esempi d’immagini famose disposte in ordine cronologico secondo la datazione storica loro attribuita, da quella relativamente più recente a quella più antica. ...
• Davanti a queste ottime riproduzioni è doveroso anzitutto ricordare il detto antico, secondo cui contra factum non est argumentum. ...
• Giustiniano II, anche nel suo secondo regno, si mantenne perfettamente ortodosso. ...
• quanto accertato mediante le ricerche degli studiosi statunitensi dello STURP — Shroud of Turin Research Project, il "Progetto di Ricerca sulla Sindone di Torino" — che hanno, con l’elaborazione elettronica, esplorato le zone orbitali della santa Sindone e le successive conferme ottenute dai ricercatori italiani dell’università di Torino Giovanni Tamburelli e Nello Balossino: cfr. Nello Balossino, Computer processing of the body image, in Silvano Scannerini e Pietro Savarino (a cura di), The Turin Shroud, past, present and future. ...

• Centre International d'Études sur le Linceul de Turin.
• Una sfida di tale portata richiede d’essere affrontata secondo criteri epistemologici, ermeneutici e metodologici chiari, precisi e condivisi, capaci di aprire la strada ad un’adeguata comprensione della natura e del valore della Sindone, a livello sia storico sia scientifico sia religioso. ...
• Secondo l’analisi psicologica, la fede consiste nel definire la propria vita attorno a un punto di riferimento considerato di valore trascendente e capace di esercitare un potere assoluto nel forgiare la propria esistenza. ...
• 5 La fede si presenta, da questo punto di vista, come una forma, una modalità, un metodo di conoscenza partecipativa: è la via dell’empatia, secondo la psicologia attuale; la via della connaturalità, secondo la teologia di san Tommaso d’Aquino; la via dell’amore, secondo l’esperienza comune. ...
• Secondo Arnaldo Momigliano lo studio della storia antica è un gioco che ha le sue regole da rispettare. ...
• Qui, come nei problemi supremi, è necessario avere insieme due punti di vista, due educazioni, due atteggiamenti di spirito: il primo, che è la conoscenza del preliminare e dell’implicito, di tutta quella infrastruttura logica che entra nei nostri più piccoli pensieri, è una funzione del pensiero puro della «filosofia»; il secondo atteggiamento deriverebbe piuttosto dalla conoscenza del singolare chiamato «la storia». ...
• , The Shroud of Turin an the Resurrection problem: an Anglican/Episcopal perspective, in The Shroud of Turin Website, 4/8/2001. ...
• ssa Roberta Marinelli per la revisione della traduzione inglese; mia moglie Stefania, mia madre Maria Pia, mio fratello Carlo, Veronica Triulzi e i miei studenti delle Classi IVe del Liceo Classico Statale James Joyce di Ariccia per la revisione critica della comprensibilità e della logica del testo. ...

• Jesus & the Shroud of Turin.
• In 1898, Secondo Pia was the first man to photograph the Shroud of Turin, the burial cloth believed to have covered Christ’s body after the Crucifixion. Pia made a startling discovery: his photography plate revealed the detailed image of a man. ...

• Când în 1898, fotograful italian Secondo Pia a fotografiat pentru prima oarã Giulgiul, el cãuta sã obþinã o copie a imaginii de pe Giulgiu. ... În Paris, Paul Vignon, asistat de diferiþi colegi de la Universitatea din Sorbonna, a studiat fotografia lui Secundo Pia. ...
• "The Shroud of Turin and the Burial of Christ," CathBiblQuart 7 (1945) 4O5-437. ...
• BULST, The Shroud of Turin, tr. ...
• WALSH, The Shroud (New York 1963). ...
• Turin 1938). ...
• VIGNON, Le Saint Suaire de Turin, devant la science, 'archeologie, l'histoire, l'iconographie, la logique (2d ed. ...
• FOSSATI, La Santa Sindone (Turin 1961). ...

• fue hasta hace pocos años uno de los más destacados expertos en el estudio del Santo Sudario como director del Holy Shroud Guild de Nueva York (Estados Unidos). ...
• En 1951, obtuvo el permiso del Cardenal Spellman para erigir canónicamente el Holy Shroud Guild en Esopus, Nueva York. ...
• Otterbein, nombrado presidente del Holy Shroud Guild, recibió en 1970 la visita del Capitán John Jackson, quien había leído el libro de John Walsh sobre el Santo Sudario. ...
• El experimento atrajo a muchos científicos, al punto de que Jackson y Jumper solicitaron al Holy Shroud Guild auspiciar una conferencia científica en Albuquerque, Nuevo Mexico (Estados Unidos) en marzo de 1977. ...
• En setiembre de 1977, el Holy Shroud Guild llevó a un grupo de científicos a Turín para proponer una serie de pruebas que fueron finalmente aceptadas en abril de 1978, durante el 400 aniversario de la llegada del Manto a Turín. ...
• Sin embargo, el entonces constituido STURP, la sigla en inglés del Shroud of Turin Research Corporation -Corporación de Investigación del Manto de Turín- decidió enviar, por cortesía, a un representante para informar al Cardenal Ballestrero, entonces Arzobispo de Turín. ...
• - Fotografiada por primera vez en 1898 por Secundo Pia.
• La historia de Secondo Pia, fotógrafo.
• Esta es la breve historia de Secondo Pía, el fotógrafo del Santo Sudario.
• El afortunado fotógrafo, el prestigioso abogado Secondo Pia, tomó las fotografías en condiciones casi imposibles, en una gesta que él mismo, en un artículo escrito a principios del presente siglo en francés.
• Respecto del proceso técnico, Pia relata:.
• Los temores de Secondo Pia eran justificados: el primer día dos lámparas eléctricas de desigual intensidad –las primeras que se utilizaban en un evento como éste- le hicieron imposible lograr una impresión en la primera sesión. ...
• El primer descubrimiento del abogado turinés fue que la imagen en realidad era el "negativo" de la impresión de un hombre difunto: En efecto, si la imagen aparecía como un "perfecto positivo" el objeto no podía ser otra cosa que un "perfecto negativo". ...
• 1898 – Es tomada la primera fotografía por el abogado Secondo Pia entre el 25 y el  28 Mayo. ...
• Los expertos de STURP (Shroud of Turin Research Project), efectúan la investigación de 120 horas. ...

• TITRE: A PROPOS D'UNE FRAUDE SUR LE SAINT SUAIRE DE TURIN.
• KEYWORD: *SAINT SUAIRE DE TURIN .
• Secondo Pia accomplit la tâche très difficile à cette époque de photographier le sindon à la lumière électrique. ...
• Votre frère Secondo Pia fit une grande découverte en réalisant des négatifs de 50x60cm sur plaques photographiques orthochromatiques. ...
• Le lin final est photographié sur des plaques semblables à celles obtenues par Pia. ...
• L'impression s'obtint aussi par l'imprégnation et vaporisation reproduisant avec soin la figure obtenue par l'épreuve de Secondo Pia et le contraste du lin original. ...
• Le lin est couvert d'une autre couche de soie sensibilisée par gélatine et iodure d'argent déjà révélée avec l'original de Secondo Pia, et recouvre le lin avec l'effigie. ...
• La température élevée de l'incendie de Chambéry produisit dans le sindon authentique une coloration de couleur léopard et sépia qui s'explique par la température élevée qui provoqua une distillation de la cellulose du lin qui se répandit dans la zone affectée.
• Cette falsification fut possible grâce à la technique rudimentaire de reproduction utilisée par Secondo Pia. ...
• L'original est conservé dans la résidence du cardinal de Turin et son faux est mis sous clef sur l'autel de Bertola. ...
• Puis le STURP (Shroud of Turin research project, programme de recherche sur le suaire de Turin) se lance avec enthousiasme dans l'étude.

• Tijdens de achtdaagse expositie van 1898, fotografeerd Secondo Pia op 28 mei de lijkwade met twee grote fotoplaten. ... Pia begint de negatieven te ontwikkelen en ontdekt dat de afbeelding ‘fotografisch’ wordt als de lichtwaarden worden omgedraaid. ...
• Volgens de bevindingen van STURP (Shroud of Turin research Project) in 1978 vertoond de afbeelding geen sporen van de hand van een kunstenaar; en de afbeelding van het bloed was waarschijnlijk aanwezig voor de lichaamsafbeelding. ...

• Pour la petite histoire, je vous convie à relire les lettres ummites D488, D491 et D792 pour comprendre toute l'affaire autour du suaire de Turin. ...
• TITRE: A PROPOS D'UNE FRAUDE SUR LE SAINT SUAIRE DE TURINKEYWORD: *SAINT SUAIRE DE TURIN.
• Secondo Pia accomplit la tâche très difficile à cette époque de photographier le sindon à la lumière électrique. ...
• Votre frère Secondo Pia fit une grande découverte en réalisant des négatifs de 50x60cm sur plaques photographiques orthochromatiques. ...
• Le lin final est photographié sur des plaques semblables à celles obtenues par Pia. ...
• L'impression s'obtint aussi par l'imprégnation et vaporisation reproduisant avec soin la figure obtenue par l'épreuve de Secondo Pia et le contraste du lin original. ...
• Le lin est couvert d'une autre couche de soie sensibilisée par gélatine et iodure d'argent déjà révélée avec l'original de Secondo Pia, et recouvre le lin avec l'effigie. ...
• La température élevée de l'incendie de Chambéry produisit dans le sindon authentique une coloration de couleur léopard et sépia qui s'explique par la température élevée qui provoqua une distillation de la cellulose du lin qui se répandit dans la zone affectée.
• Cette falsification fut possible grâce à la technique rudimentaire de reproduction utilisée par Secondo Pia. ...
• L'original est conservé dans la résidence du cardinal de Turin et son faux est mis sous clef sur l'autel de Bertola.
• Puis le STURP (Shroud of Turin research projet, programme de recherche sur le suaire de Turin) se lance avec enthousiasme dans l'étude.

• When and by whom was the Turin Shroud first discovered to be a negative image?.
• 1898 by Secondo Pia, a photographer.

• Sta³o siê to zupe³nie przypadkowo, gdy w roku 1898 w³oski fotograf amator Secondo Pia sporz±dza³ pierwsze zdjêcia Ca³unu. ...
• Poczynaj±c od negatywowych zdjêæ Pia, rozpoczê³y siê naukowe badania Ca³unu. ...
• W pa¼dzierniku 1978 roku Ca³un Turyñski udostêpniono grupie badaczy reprezentuj±cych wiele dziedzin nauk ¶cis³ych, znanej jako Shroud of Turin Research Project (w skrócie STURP). ...

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