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• News archive.
• Extension of commercial radio standards.
• The Australian Broadcasting Authority has varied the three commercial radio standards (the Broadcasting Services (Commercial Radio Current Affairs Disclosure) Standard 2000; the Broadcasting Services (Commercial Radio Advertising) Standard 2000 and the Broadcasting Services (Commercial Radio Compliance Program) Standard 2000 placed on all commercial radio licensees in November 2000 as a result of the ABA's Commercial Radio Inquiry.
• The three commercial radio standards were due to cease operation on 2 April 2003. ...
• "The ABA has taken the view that the standards should continue in operation until current investigations into matters in relation to compliance with the commercial radio standards have concluded, and their implications (if any) for the standards determined. The ABA will then consult with Commercial Radio Australia on the future of the standards," said Professor David Flint, ABA Chairman.
• The three standards relate to disclosure of commercial agreements by presenters of current affairs programs, the need to distinguish advertisements from other programs and the establishment of compliance programs by commercial radio licensees. ...
• Commercial Radio Standards.
• In its report on the Commercial Radio Inquiry of 2 August 2001, the ABA found systemic failure to ensure the effective operation of the industry's self-regulatory codes of practice and proposed to determine three program standards to remedy this failure. The final report of the ABA's Commercial Radio Inquiry can be found on the ABA's website.
• On 21 November 2000 the ABA determined three program standards for commercial radio licensees. ...
• The three commercial radio standards can be found on the ABA's website.
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• He claims the Commission is taking away their commercial license for local radio and sharing it out between Irish Press plc in Dublin (owners of Tipp FM) and a Waterford-based regional pop station.
• Hassett, who is a voluntary presenter with the co-op owned Tipp Mid West Radio told “The Guardian” this week that Tipp Mid West radio, based in Cashel and Tipperary town is facing victimization because it is a co-op that consistently out-performs the local radio stations owned by major business interests.
• Hassett said that about a year ago a BCI strategy was aimed at confining Tipperary to one commercial license, Tipp FM. ...
• In order to accommodate big business interests including Independent Holdings and the Irish Press plc-owned Tipp FM in Clonmel as well as the Waterford pop station, the BCI had put in place a brazen plan openly targeting the commercial license of Tipp Mid West radio, having open access to .
• Hassett complimented Oireachtas members from the county, including Defence Minister Michael Smith, for their united support in opposition to the plan of the BCI to rid the county of its only locally owned radio station. When it was considered that Tipp Mid West Radio in the latest Joint National Listenership Research committee (JNLR) survey was in the top five local radio stations in the country, this intended action by the BCI raised serious questions that would be asked in Europe as well as in Dail Eireann.
• He said Tipp Mid West Radio had provided its facilities to promote, represent and cultivate every responsible movements beneficial cause and provided a quality broadcasting service by the people for the people. The insult of being sidelined, the outrage of being deprived of the economic benefits of commercial local radio and the removal of the people’s co-op owned station, was an attack upon the right to own, develop and expand their radio to benefit the Premier County.
• What was now happening, he maintained, is, that total control of local radio within Tipperary, will now be owned by people outside the county. ...
• Tipp Mid West radio, he said, had a commercial license at present but it was co-op owned. ... There was fairly big membership of shareholding in it and the radio was robustly viable as well.

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• Smichov Synagogue: symbol of forgotten era amid new commercial excess 19-04-2003 By Rob Cameron Listen 16kb/s ~ 32kb/s  Smichov Synagogue On the left bank of the River Vltava, about a kilometre away from Prague Castle, is an area called Smichov. ... The Smichov Synagogue now finds itself sandwiched between these two commercial monoliths - a reminder of a different era. ... What finer juxtaposition of Prague old and new: a forgotten place of worship and a reminder of the city's tragic past, amidst all this commercial excess. ...
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• Historic Radio Luxembourg Archive presented to University.
• An archive of books, tapes, schedules, photographs and scripts of English language broadcasting on Radio Luxembourg in the periods 1933-39 and 1945-46 has been donated to the University by the widow of Stephen Williams, Director of English Language Broadcasting at that time.
• The archive, presented to Dr Gerald Newton of Germanic Studies, will be used as a unique research tool into trio-lingual broadcasting at this crucial time in modern European history. ...
• Stephen Williams, who collated the archive in the years around the Second World War, joined Radio Luxembourg after leaving University and venturing into early commercial radio. The station was exciting and challenging in a variety of ways: it was international, broadcast in three languages (French, German and English) and was a commercial success. ...
• The Williams Archive includes the script of the first British broadcast after the War, including mocking impersonations of Adolph Hitler.
• Pictures from the archive available to provide illustration. ...

• XM Satellite Radio postpones commercial service launch.
• XM SATELLITE RADIO RELEASE.
• Due to today's national tragedy, XM Satellite Radio has postponed the launch of its commercial service in San Diego and Dallas scheduled for September 12, as well as events in those cities and Washington, DC, related to the service launch. ...
• INDEX | PLUS | NEWS ARCHIVE | LAUNCH SCHEDULE.

• Archive, Research, Workshops and Events.
• "Lack of client conviction and creative issues are perceived as the biggest barriers to using radio" (RAB Benchmark 2001). Capital Radio Group has always been committed to helping advertisers and agencies realise the creative potential of the medium. ...
• Archive.
• of audio clips from radio and TV advertising, sponsorships, promotions, programming, events, listener interaction and any other interesting content. ...
• Another excellent link is the RAB - Radio ads archive at .
• radio-ads. ...
• Capital Radio is dedicated to researching the role of sound in marketing, particularly the creative objectives of radio commercials.
• Capital Radio have run over a hundred half day Sonic Workshops for Advertisers and Agencies. ...
• Capital Radio has compiled presentations for all sectors from analysis of the archive and research projects. They tackle the unique challenges product sectors have in achieving their advertising goals with sound, these sector presentations can easily be tailored to a specific brands and offer a platform from which to fully understand opportunity of radio advertising. ...

• Is children's radio the coming thing? Maggie Brown investigates.
• Are we witnessing the rebirth of children's radio? And if so, why are green shoots such as Takeover Radio (see below) emerging now, after decades of neglect? .
• The issue is rising on the political agenda, as a timely Social Market Foundation seminar, The Case for Children's Radio, demonstrated last week. As a sign of the commercial interests now at work, the event was sponsored by Capital Radio, which is trying to win new radio licences and expand into the tweenie market with a pop-led format, Capital Disney. ...
• The new arts minister and former education secretary, Estelle Morris, injected an extra political edge to the debate; she clearly sides with those who believe there are sound educational reasons for encouraging speech radio. ...
• Morris spoke of how BBC schools' radio (a reduced force which now largely supplies its programmes via tape) had been a key part of her schooldays in the 1950s. As she pointed out, "it is not that children have stopped listening to radio; it has remained with them through the medium of pop culture". ...
• She speculated that there was a golden opportunity "to regain something which has been lost": radio's ability to educate. ...
• But is it really going to happen? The lack of a set of specialist children's radio stations is indeed strange when you contrast it with television. ...
• But the BBC abandoned its experiment to attract children, specifically the under-10s, when it ditched its first version of Radio 5 a decade ago in favour of sport and news. And despite a big expansion of commercial radio over the past 13 years, no licences have been awarded to children's radio. ...
• The big new opportunity is digital radio, which offers a potentially massive expansion in choice. ... BBC Radio 7, a new digital service, has four hours of children's programmes a day, but only as part of an adult network. There is also the token Go For It Radio 4 programme on Sunday evenings and some family serials. ...
• Takeover Radio in Leicester has been made possible because of an experiment in creating tiny community stations. ...
• To commercial radio companies, which have always targeted teenagers, it is starting to look like the last great untapped market. ...

• One of the questions most frequently asked here at The Archives comes from people looking for archival recordings of family members or friends performing on long-gone radio or TV stations. ...
• PRE-WWII: Magnetic recording on tape or wire was not available for commercial use until after World War II, which means that anything that aired before 1947 or so was either a live broadcast or presented via the miracle of ``electrical transcription''. ... Usually 16" in diameter (as opposed to the 10" records of the day) and recorded at 33 RPM (instead of the 78 RPM then used for commercial recordings), ETs were used for the distribution of syndicated programming and other broadcasts that were not time-sensitive. ...
• In most cases, once broadcast, a show was gone forever -- particularly on small local radio stations that may not even have owned recording equipment. ...
• Most of the ``old-time radio'' shows that are now commercially available came from ETs that were made for advertisers or from disks of syndicated shows that somehow survived their first few playings. ... A few present-day hobbyists do own equipment that can play ETs (which, in addition to being too large for a home record player, also were recorded from the inside out and often used a ``hill and dale'' recording process instead of the side-to-side grooves used in commercial recordings), and we at the Archives can put you in touch with them if you happen to actually possess such a disk and would like to hear the audio on it.
• Some of those DJ shows were saved by hobbyists, though; as tape became cheaper and the equipment needed to record radio broadcasts came into wider home use, some fans began taping the popular DJs of the day. A handful of recordings from the 1950s thus exist and are widely traded; thousands of hours of radio from the 1960s were saved by hobbyists and are widely available today. Uncle Ricky's Reel Top 40 Radio Repository is one good source for such recordings; another is Rick Kelly's NortheastAirchecks. ... In most cases, the surviving airchecks represent a fairly narrow chunk of the radio of the era, being heavily oriented toward big top 40 stations like WRKO, WMEX, WABC, and their cousins nationwide. ...
• As for the stations themselves, however, one thing has remained true down the decades: radio stations are lousy archivists of their own history. ...
• We're merely a ``virtual archive'', maintaining text and photo histories of broadcasters in the Northeast, and while our editors maintain their own private collections of airchecks and other memorabilia, they contain very little material before the eighties. ...
• We are also told (though we've never checked it out ourselves) that some archives of now-defunct Boston radio stations, WNAC in particular, now reside at the Boston Public Library; we welcome any information our readers can provide if they choose to investigate this possibility.
• In addition, several cities are home to local radio history organizations that sometimes have their own audio archives. ... John Fisher College has a radio history room in its library with some archives from WHAM and other early stations; in New Hampshire, broadcaster Ed Brouder is his own one-man archive. Such a group is long overdue in the Boston area, and in fact is slowly coalescing under the leadership of local broadcast veteran Len Zola under the name ``The Radio Gang''; if you're a veteran of Boston broadcasting, you can contact Len for more information about their regular meetings.

• This archive is periodically refreshed with the latest messages from the current messageboard. ...
• To see all the messages in this archive, check the Index .
• Subject: Robert Conrad Commercial(for Feldy).
• Feldy, was this a TV or radio commercial? Or a magazine ad?  I  need some more info and maybe I can help. ...
• Subject: Re: Robert Conrad Commercial(for Feldy).
• I know it was a commercial, but I assume, because of the simplicity of the ad, it had to be in print somewhere.
• Subject: Re: Robert Conrad Commercial(for Feldy).
• Bad news:  I couldn't find any reference to the commercial you wanted.  I did find one site that listed it in a commercial trivia section, buts thats it. ...
• Subject: Re: Robert Conrad Commercial(for Feldy).
•  Only thing I can find is listings of the commercial, but no pics.
• Subject: Re: Robert Conrad Commercial(for Feldy).
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• Older Irish Pirates Alternative Radio Dublin ARD had been on the air in competetion to Radio Dublin. ...   Doctor Don was well known across Europe from his days on Westside Radio on shortwave during 1975 and 1976.   Not only did they begin to operate a seven day schedule, but pushed to be a fully commercial station.   Here are three clips from the early commercial days of the station following commencement of  those daily broadcasts. ...    The April extracts were recorded outside Dublin, hence the occasional splatter from Piccadilly Radio in Manchester. ...
•   Here is a commercial looking for those potential advertisers from April 23rd 1978. ...
• (213k)  Another clip, but of poorer quality from Sunday 23rd April 1978 featuring Arno St Jude, who would become more well known in later years as Declan Meehan on RTE 2, Sunshine Radio and Radio Nova. ...
•   Does anyone have the video part of this particular report?? Capital Radio (Dublin City) (356k) We are unsure as to whether this was the same as the Capital Radio which broadcast on Sundays in the mid 1970's. ...   Unfortunately at times there was heterodyne (whistle) on this side of the Irish Sea with Hereward Radio which was possibly due to an old crystal being used following the International frequency changes of October 1978. ... Downtown Radio  (Dublin City) (296k) On this recording from a Saturday in June 1978 there seemed to be a bit of confusion as to where the station broadcast on the medium wave. ...   A brief history of Downtown Radio is available in the A-Z. ... East Coast Radio (Dublin City) East Coast Radio began broadcasting during the latter part of 1978 and announced a wavelength of 260 metres, although the exact frequency is not known.   It was probably around 1143kHz as this would put the station between ARD on 1161kHz (257m) and Big D Radio 1116kHz (273m). ...   It is thought that this station eventually turned into Radio City at the end of the year following a period calling itself Downtown Radio. ...   When ARD closed down on 1st January 1980, Radio City swiftly moved into the 257m spot on 1161kHz. Independent Radio Dundalk (576k) .

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• The most famous and chilling stories of the most feared killer of all time: The Lodger, featuring Peter Lorre, a Secrets of Scotland Yard episode dealing with a ripper suspect, and the radio adaptation of Robert Bloch's eerie Yours Truly, Jack the Ripper. ...
• Including the first 40 episodes of the 1939 radio serial featuring Hanley Stanford, Gale Gordon and Gerald Mohr , previously in circulation, plus 44 newly recorded episodes, unavailable anywhere for the past 60 years, in excellent condition, recorded from the original master discs, including concluding episodes of each story.
• MP3 ARCHIVE CD-ROM Scariest of All .
• Featuring stories that once you hear you will never forget -- and that is not hype -- listen at your own risk! Descriptions are deliberately kept short so as not to ruin surprises! All are commercial-free and continuous, and noise-reduced for the best possible sound quality. ...
• All are commercial-free and continuous.
• The complete, commercial-free, 1 hour version of Orson Welles' Mercury Theatre adaptation, restored by Dr. ...
• Featuring the rare existing appearances of Bela Lugosi on radio: .
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• This CD includes Basil's 1940s virtually forgotten radio performance as the world's best-known Parisian psycho, with Nelson Eddy, in the on-air adaptation of the Claude Rains film, noise-reduced, tightly edited and sounding even better than originally presented with enhanced echo effects in the catacombs! Also includes Basil in two other rare 1940s radio appearances: Fagle's Frozen Watermelon Mystery Theater with Fred Allen, and Jack Benny Visits Basil on Halloween. ...
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• This CD is a lot of fun -- it's packed to the limit with rarely-heard and little-known Karloff guest-star radio performances, all showing his lighter side. ...
• The Lizzie Borden Radio Plays.
• The complete 13-episode Frankenstein radio serial from 1932 featuring George Edwards, five other half-hour adaptations of the story, and other Frankenstein-themed shows: Donovan's Brain, The Automaton, Is This Murder? and more.

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• Home : Features : Archive : RADIO ACTIVE : LET'S TALK RADIO.
• But if it were ever to want to become a full time radio station it would be faced with a plethora of near unsurmountable obstacles. It seems the future of radio - at least, radio which is not led by commercial interests - is itself in jeopardy. ... Enchanted Gordon - who is also chairing the Radio Active debate at this year's Festival - gets ready to talk radio In February this year, I opened the Guardian and found a letter inside signed by 28 DJs and musicians, led by Big Chill favourites Coldcut, Lemon Jelly, Mr Scruff and, erm, Paul Oakenfold. They said they were concerned about the potential effects of the Communications Bill on ″music choice″ on the radio. The artists are all involved in the Londumb campaign, which has been protesting since Autumn against the changes to the BBC London schedules, away from specialised music programming (including Coldcut's legendary Solid Steel show) and onto phone-in talk radio instead. ... In my world, radio was more interesting than it had ever been. I'd recently discovered the online stream of Resonance FM, perhaps the most intriguing radio station on the planet. Technology allowed me to pick up radio stations from anywhere in the world at the click of a mouse - and were I to invest in a digital set there would be many more to choose from. But most importantly, from a selfish point of view, for the previous nine months or so I'd been presenting my own little radio show in Manchester on ALL FM 96. ... Indeed, three weeks after the letter was published in the Guardian, the Everett report on Community and Access radio gave the whole sector, Resonance and ALL FM included, a very warm response, recommending a whole new tier of not-for-profit community radio. ... The legal framework for future community radio is contained within the now notorious Communications Bill.

• hip-hop, most hip-hop fans my self included don't listen to pop music, and when i say pop music i am referring to artists such as Britney Spears, Backstreet Boyz, and the lists goes on and on, and we as hip-hop fans are not drawn to that type of music, but unlike the majority of other hip-hop fans i like the fact that pop music is so popular and rules the air waves, i would rather have pop music all over the radio and MTV than have hip-hop all over the radio and MTV, hip-hop is as commercial now than it has ever been but if it where to grow and be as commercial as pop music is now we would have 50 Puffys and 100 Master P's, if we look at pop music right now all the top selling artists and groups don't have great talent, most of the top selling artists are average at best talent wise yet they sell 8 to 9X platinum, other record labels see the Backstreet Boyz and Britney Spears push 9 million units and they try to clone success instead of progressing and being original, and progressing and originality is what hip-hop is all about, that is why i hope hip-hop never gets as big as pop music because we would see more and more cloning instead of originality, we have already experienced some cloning success with the likes of cash money, pop music is beyond repair and has gotten totally out of hand but hip-hop is on its way to transforming back to being more about lyrics and skills instead of being commercial and talking about how much jewelry and bling bling u have, hip-hop fans are smarter than other music fans and at the end lyrical skills is what makes u successful, u might be able to fool hip-hop fans for a little while and be a one hit wonder but lyrical skill determines your staying power, people like master p and puffy, and cash money are dying out right now because there fans are finally realizing they don't have great skills and are just relying on there image, even in the past MC hammer made a truck load of money but his fans finally realized that he is not true hip-hop, and the same thing goes for vanilla ice, but pop music fans don't seem to notice that there favorite artists don't have great talent, if the Backstreet Boyz where so talented why do they need back up singers?, if u know anything about music u know a group of five do not need back up singers if they can really sing, Backstreet Boyz push 10 million units and cant sing to save their life, now I am not saying all pop artists don't have talent because some pop artists can sing, Christine Aguilera has talent and Justin Timberlake from N'sync has talent also, even tough i don't like there kind of music i cant deny their talent, as a hip-hop fan i hope hip-hop stays just the way it is now and does not get anymore commercial, and for all the other hip-hop fans out there that don't like the pop music on the TV and radio do what i do turn it to a different station or simply turn it off, cause trust me u dont want hip-hop to be totally commercialized and totally ruined like the pop-music of today. ...
• Back to the Archive Index.

• BandRadio : RADIO AIRPLAY 101 - Commercial Airplay Myths : .
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• RADIO AIRPLAY 101 - Commercial Airplay Myths.
• DJs PLAY THE RECORDS: DJs only do this on non-commercial radio, and specialty/mixshow radio. ... , however, listen to commercial regular-rotation radio, and on these stations, the DJs have no say at all in what is going to be played (unless, in the case of a smaller station, the DJ is also the PD). So, the biggest pitfall to avoid is asking a DJ at a commercial station "Can I give you my CD for possible rotation?". ... Every single song you hear (or every syndicated program you hear) on commercial regular-rotation radio is on that station because of layers of promotion and marketing. ... COLLEGE OR SPECIALTY/MIXSHOW WILL EXPAND TO COMMERCIAL: Just because you do well on non-commercial or specialty/mixshow radio, it does not mean anything will happen on commercial regular-rotation radio. Matter of fact, nothing at all will happen at commercial unless a separate, higher-level campaign is put into place to take the record into regular rotation. The pitfall here is that a listener will hear something on college, and then a month later hear it on commercial, and conclude that the college caused the commercial to happen. ... I CAN'T GET AIRPLAY WITHOUT DISTRIBUTION: Depends on the size of radio that you are going after. Smaller commercial regular-rotation stations in smaller markets won't make this too much of a sticking point, especially if you have a powerful radio campaign going, or if you are doing great gigs in their city, or if you have great college or specialty/mixshow results. ... I CAN'T GET AIRPLAY WITHOUT GIGS: Again, depends on the size of radio that you are going after. Not being able to gig is a serious handicap for any station, but you can overcome it in smaller markets with intense radio promo, press, sales, and non-comm results.

• HCDX WWV meets commercial radio.
• Subject: HCDX WWV meets commercial radio .
• --- Start Commercial ---------------------.
• World Radio TV Handbook 2004 is out! Only $20. ...
• --- End Commercial ----------------------- ________________________________________ Hard-Core-DX mailing list EMAIL PROTECTED http://dallas. ...
• HCDX WWV meets commercial radio, David Goren .

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• ITN is one of the largest news organisations in the world, producing news and factual programmes for television, radio and new media platforms, both in Britain and overseas. ...
• Today ITN produces not only new programmes for ITV1, but also for Channel 4 and five, as well as news for over 260 commercial radio stations through Independent Radio News (IRN). ...
• As ITN approaches its 50th anniversary, the company also operates three successful business units - ITN Archive, ITN Factual and ITN International. ...
• The ITN Archive is now the world's biggest commercial news archive, and brings together some of the finest archive collections in the world, including all ITN's material, the Reuters television archive, the Channel 4 clips archive, the entire Granada programme clip-catalogue and the British Pathe news archive. The ITN Archive contains more than half a million hours of footage, with about 15 hours of additional material added every day.
• ITN Radio is commissioned by Independent Radio News (IRN) to provide its news service, transmitted by 260 independent local radio stations. In addition ITN Radio is contracted to supply news to the national commercial radio stations, Classic FM, Talk Radio and Atlantic 252. ITN Radio also supplies an audio news feed to LBC 97. 3FM and LBC News 1152AM which is part of Chrysalis owned London News Radio. ...

•   WAVELENGTHS - Public Radio, Private Pressures.
• A report that WBUR Radio (90. 9 FM) and National Public Radio have been targeted by corporate underwriters for their alleged anti-Israeli bias underscores a little-understood fact: so-called public radio today is, in many respects, public in name only.
• What's interesting - and a little unnerving - about the Globe report is that it reveals the extent to which public radio has morphed from a taxpayer-funded service into what is essentially a private, nonprofit broadcasting operation designed to serve contributors, whether they be underwriters or ordinary listeners (see "Bobos in Radioland," News and Features, April 27).
• Public radio is a remarkable success story - and at a time when much of commercial radio has degenerated into a merger-fueled frenzy of offensiveness and stupidity, public stations are virtually the last bastion of serious news and talk. ...
• org notes that public radio has changed from a financially strapped grassroots medium for community activists and students into a professional service with salaries as high as, or sometimes higher than, the ones available in commercial radio. ...
• The ultimate accountability should be with the listeners, who can choose to listen or not, and to give or not, Yet as public radio is now constituted, corporate money is absolutely essential. ...
• BACK to CIPB IN THE NEWS ARCHIVE .

• more Research in our Archive .
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• Media Week - Survey remarks on effectiveness of commercial radio. ...
• Media Week - TiVo threatens commercial TV.
• The Guardian - Radio bosses have finally realised the internet can help them too.
• Media Week - Radio expected to be net winner .
• more News in our Archive .
• Radio expected to be net winner .
• The UKs media agency bosses believe that non-terrestrial TV companies and commercial radio stations will be the most successful media businesses over the next decade. Not only that, but they believe radio is the medium which has by far the most to gain from the internet outstripping TV, magazines and newspapers. According to the results of a survey carried out by Ocean Consulting earlier this year, media agencies believe that although the internet will make a significant impact on the industry, the commercial prospects for traditional media owners are still very good. ...
• When it comes to business success, commercial non-terrestrial TV and radio are expected to perform significantly better than magazines, commercial terrestrial TV and the BBC. ...
• When discussing sales effectiveness, commercial radio stations were rated significantly above other media. ... Asked which media were best at promoting themselves as a brand, again radio scored best, followed by magazines and TV. ... Amongst radio stations, Capital, Virgin and Classic FM were perceived as the strongest brands. Amongst newspapers, The Guardian, Daily Mail and The Sun were named while the Economist, Radio Times and Marie Claire were magazines that all scored well. ... When asked about the internet agencies felt that new media represents an opportunity rather than a threat for TV, radio and magazines, with a split vote for newspapers. ...

• News About Powerhouse Radio from the Perky Parrot - R&B radio online .
• News About Powerhouse Radio | Questions About Powerhouse Radio | Contact Powerhouse Radio .
• Powerhouse Radio Archive.
• Powerhouse Radio Perky Parrot Archive: November 2003 .
• The next Powerhouse Radio Newsletter will be published to our email subscribers the week of December 1. ...
• Cuts from this CD will be part of the 3rd annual commercial free Powerhouse Radio non-stop Christmas music and more holiday spectacular, coming soon. ...
• The Powerhouse Radio Archive is now open for business. ...
• Coming December 1, online access to our entire library of Powerhouse Radio newsletters, going back to issue number one in 2002. ...
• More hot, Powerhouse Radio action, Monday, November 10th, 7pm Eastern, 4pm Pacific, and midnight GMT. ...
• Wednesday November 5th at 1pm Eastern, 10am Pacific, and 6pm GMT, it's a post USA election day non-stop music special, featuring dj King's magic touch, playing more Powerhouse Radio classics. ...
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• Interview: Ron Sneddon on commercial radio.
• Interview with Ron Sneddon, Mediawatch, September 28, 2003RUSSELL BROWN: It's been an interesting week for commercial radio. The government announced two new commercial FM frequencies for the Auckland region, and said that 49 temporary frequencies in the rest of the country will also be up for auction, meaning that some radio operators may have to bid to save their businesses. ... According to Sneddon, our two big radio chains can be compared to the two sides in The Lord of the Rings. ... And the dark forces may be tipping the balance: the edgier CanWest has more of the audience than its rival, and scooped a majority of the gongs at the recent Radio Awards. ... Does what we've heard this week from Paul Holmes, and the general drift, suggest that it's moving away from that? RS: I don't think you can really link the two but I can tell you in my opinion at least the news product on Newstalk ZB, the pre-eminent news current affairs station, pales into insignificance when you compare it with the news product and current affairs product of National Radio. ... Look, the commercial broadcasters occupy a space that is that - it is commercial, they're out there for ratings. ... RB: I've been reading Adrian Blackburn's history of Radio Hauraki and that's interesting because in a way it contains the roots of private radio's revulsion for government. ... RS: Radio Hauraki probably is the best radio station in New Zealand and the reason why I say that is that it's survived. ... I mean they've got a great breakfast show - it's a radio station for old men though now I must say. ... Do the two big radio chains actually want anymore?RS: I think they both want them to keep them off each other. ... I think we've got 20-odd commercial radio stations in Auckland with a population of 1.
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• LATEST NEWS November 6, 2000 Radio commercial company to be sold.
• has signed a letter of intent to buy Radio One Networks LLC. ...
• Radio One reportedly is one of the largest producers of local radio commercials in the United States. ...
• Radio One also creates 24-hour formats for radio stations, with the music programmed to allow for the insertion of local commercials. ...
• com Related Topics » Radio One shares boosted by Wachovia upgrade 2002-09-19, Baltimore » Blue Chip sold for $190M 2001-02-08, Cincinnati » Radio One files for IPO 1999-03-22, Baltimore » More related topics .

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