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• Does Public Radio Compete with Commercial Radio? .
• public broadcasting does crowd out commercial broadcasting in the larger markets when it comes to classical music. ...
• The radio holds a fond position in contemporary American culture. According to NBER Research Associate Steven Berry and Faculty Research Fellow Joel Waldfogel: "Radio signals are pure public goods whose total value to society is the sum of their value to advertisers and listeners. " In Public Radio In The United States: Does It Correct For Market Failure Or Cannibalize Commercial Stations? (NBER Working Paper No. 6057), they note that since broadcasters can capture only part of their product as revenue, there are reasons to doubt that the market will provide the right amount of radio broadcasting. Hence, radio is a rich context for revisiting the classic economic problem of under provision. ...
• The radio business in the United States clearly is dominated by commercial broadcasters. But the private sector competes with government-supported public radio in a limited number of programming formats: news, jazz, and classical music. In this study, the authors ask: Do public and commercial classical stations compete for listening share and revenue? And, is public radio filling an unmet need, or is it crowding out commercial providers?.
• Berry and Waldfogel find that public broadcasting does crowd out commercial broadcasting in the larger markets when it comes to classical music. ... Nor do public and commercial news programming seem to be substitutes for one another. "Although the bulk of government support for broadcasting goes to public stations in markets without commercial competition, a third of public funding of stations airing jazz and classical music programming is allocated to public stations in the markets which would be served by similar commercial programming in the absence of public broadcasting," the authors conclude. ...
• Their data on commercial stations primarily comes from the Arbitron Company and Duncan's American Radio. Their information on public radio comes from five sources, including the Radio Research Consortium, the Corporation for Public Broadcasting, and National Public Radio. ...
• Berry and Waldfogel take great care to emphasize that their research doesn't address whether public funding of radio is wasteful or whether the government should allocate less money toward public broadcasting. Answering these questions, they say, would require more research into the degree of similarity between public and commercial programming. ...

• Get US out! Radio Commercial - "Terrorism" - $19. ...
• This 1-minute radio commercial emphasizes the United Nations support of terrorism highlighted by the election of Syria to the UN Security Council. ...
• Listen to the radio commericial: .

• for commercial radio broadcasting. Although it had sold radio transmitters through its Western Electric subsidiary to a variety of firms, such as department stores, AT&T believed that most of these companies would soon find that running their own radio station was too expensive for them to continue for very long. ... But by the mid-twenties AT&T's analysis would be proven correct, and the sale of airtime by commercial stations became the standard U. ...
•   to  Operate  Radio  Commercial  Broadcasting  Station. ...
• This important radio distributing station is to be equipped with the latest developments of the Bell system, including the use of electrical filters and new methods, whereby, as the business grows, several wave lengths can be sent out simultaneously from the same point, so that the receiving stations may listen at will to any one of the several services. ...
•     It will be unique in another respect, because it will be the first radio station for telephone broadcasting which will provide a means of distribution and will handle the distribution of news, music or other program on a commercial basis for such people as contract for this service. ...
• Just as the company leases its long distance wire facilities for the use of newspapers, banks and other concerns, so it will lease its radio telephone facilities and will not provide the matter which is sent out from this station. ...
• However, under most favorable conditions, it might be heard for much greater distances, but even for its designed radius, it must be permitted to operate on a wave length free from other radio interference. ...
•     Within the area normally covered by this station, there are now probably 35,000 receiving stations which would provide an audience for the lessees of the company's radio service. ...
•     This is a new undertaking in the commercial use of radiotelephony and if there appears a real field for such service, and it can be furnished sufficiently free from interference in the ether from other radio services, it will be followed as circumstances warrant by similar stations erected at important centers throughout the United States by the American Telephone & Telegraph Co. ...
•     While it is entirely possible, as has been demonstrated by the telephone company, to talk by wireless, when all atmospheric conditions are favorable, across the continent or even for much greater distances over water, such long distance radio telephone transmission at present is not dependable and is not to be compared from a standpoint of service or economy with the transmission which is provided over wire. ... The new line of business to be handled by this radio telephone broadcasting station will be in charge of the Long Lines Department of the American Telephone & Telegraph Co. , which is now engaged in solving the many problems both technical and commercial that arise in connection with this new kind of service. ...
• United States Early Radio History > Big Business and Radio .

• 2720 Radio Commercial.
• Did you know?  Radio was one of the first ways to advertise products to a vast number of people. ...
• Your Job:  To form a group of 2-3 and come up with a commercial that promotes a technology of your choice.
• Limitations:  The commercial must be no longer than 30 seconds. ...   Each person must say something in the commercial.
• Time:  You will have 3 days to complete the commercial.

• Radio Adventures Company.
• Unique Ham Radio Equipment, Components, Kits, and Accessories For Both The Amateur Radio and Commercial Radio Markets.
• Radio Adventures is a small engineering company specializing in the design and manufacturing of ham radio equipment components, kits, and accessories for both the amateur radio and commercial communications markets. ... It has often been said that people don't build any more because ham radio components are not readily available. Actually, we believe that the experimenter has a wider selection of radio components than at any time in history. ... The amount of time required for these tasks is often beyond the desires of many ham radio equipment operators. At Radio Adventures we are dedicated to providing the building blocks you need to make your projects a success! Our current product line focuses on code practice receivers, keyers, frequency measurement and control devices, interface equipment for older tube type radios, plus other ham radio equipment. While many of these products have commercial applications, we wish to stay in touch with the home builder. ...
• Radio Adventures Company.

• Radio Airplay 101 - Non-Commercial Radio.
• Non-commercial stations are comprised of three groups: College, community, and "NPR" stations. ... The community stations that are contracted to carry the NPR (National Public Radio) programs are the ones that are often called "NPR" stations. ...
• In general, the people at these stations are more mature, and they prefer softer music, compared to the people at college radio stations. ...
• College radio is by far the biggest non-commercial group, with about 1,000 stations in the U. ... In general, college radio likes the harder, louder music. ...
• The biggest advantage of college radio is that it is the easiest and fastest way to get airplay, and with it, the comments, favorite tracks, interviews, and reports in CMJ and other magazines, all of which become great tools to market your band with. ... of college radio is that college stations are very difficult for promoters to reach (by phone, when promoting to them,) and they have a limited listenership (since they are non-commercial, and have no promotion budget. ) So to "work" college radio properly, you have to work a lot of them at the same time (hundreds) in order to get enough results. ...
• Overall, airplay on non-commercial stations should be used as a developmental tool for artists or bands. It is possible to sell CDs using non-commercial radio (as it is with commercial radio), provided you have a full-time salesperson to call the stores. But since most new acts and labels don't have such a full-time salesperson to call stores, non-commercial radio is best used for other purposes. ...
• With non-commercial radio, you are looking to generate a tool that can be used to obtain gigs, get articles, get CD placement in stores (maybe with store performances), find out which single the stations like, practice doing station interviews or I. ...
• The toughest part about working your CD to college radio is that there are so many kids running in and out of the station, and there are so many stations which need to be worked, that is becomes very difficult for the promoter to reach the stations. ...
• Next topic: Commercial radio.
• For a complete description of our airplay campaigns, including pricing, send an email to airplay@radio-media. ...

• Commercial Radio Companies Association.
• The Commercial Radio Companies Association (formerly the Association of Independent Radio Companies AIRC ) is the trade body for commercial radio in the United Kingdom. It was formed by the first radio companies when Independent Radio began in 1973. All but a handful of UK commercial radio companies are members and the CRCA has been an influential force in British broadcasting throughout its existence. ...
• The CRCA jointly owns Radio Joint Audience Research Ltd (RAJAR) with the BBC. ...
• AER's members are national radio associations in Europe and its primary purpose is to lobby European institutions on behalf of commercial radio. ...

•   Home | Television | Radio | Internet | The ABA | ABA News | Publications.
• Radio services.
• Digital radio.
• Commercial radio stations.
• How do commercial radio stations earn their money? .
• Where can I find out more information about the commercial radio industry? .
• How would I find how much a radio station earns? .
• How do commercial radio stations earn their money?.
• Advertising is the principal source of revenue for commercial radio in Australia and the industry's survival depends on the sale of airtime to advertisers, who are the customers of commercial radio stations.
• The total service revenue of commercial radio licensees for 1999-2000 was $737. ...
• Advertisers contribute much to the success and development of commercial radio. ...
• In general the radio industry is continuing to grow with increasing profits. ...
• Where can I find out more information about the commercial radio industry?.
• This and other radio information can be found on our website. Copies of the html version of the publication, Commercial Radio Industry 1978-79 to 1997-98 can be viewed on our website.
• How would I find how much a radio station earns?.

•             Review of the Commissions Policies for Commercial Radio.
• The National Campus and Community Association (NCRA) is pleased to provide a brief comment to the Commission concerning proposed changed to the commercial radio regulations.
• We feel that, as one of the principle representatives of non-commercial radio, there is much we can contribute to the current discussion.
• What is the future of radio in Canada? According the Canadian Association of Broadcasters (CAB), it is grim indeed. Without significantly restructuring of the sector, the CAB says, Canadian radio listeners could be doomed to fewer choices on their radio dial. ...
• The National Campus and Community Radio Association (NCRA) believes that one of the principle causes of commercial radio’s current financial problems is a clear reluctance to innovate and a fear of creativity. Commercial radio has rightly lost listenership over the past several years, not because of the current regulatory environment, but because of its own unwillingness to face the challenges of the future.
• The NCRA therefore objects to the general effort by the CAB to cloak an effort to deregulate under the guise of “saving” radio. Since it’s introduction in Canada in the 1920s, commercial radio has gone through significant changes, not the least of which is adapting to fundemental changes in audience behavior. ...
• Rather, the face of deregualtion is in fact that of Howard Stern, the American radio host whose morning show was recently purchased by radio stations in Montreal and Toronto. ...
• As should be obvious, the members of the NCRA are hesitant to comment overmuch on commercial radio regualtion. Afterall, those of us who work in and support the community radio sector do so in order to create a viable alternative to a commercial radio sector which we believe is oriented only to presenting audiences to groups of advertisers. However, we recognize the important of commercial radio to many Canadians and to the communities which individual stations serve.
• First and formost, the members of the NCRA are people who love the length and bredth of what radio is and can be. More than 4000 Canadians, most of them voluteers, actively work in campus and community radio. We therefore feel justified in commenting on what the CAB has described as a “proposal for the future of radio. ...

• Email Radio Commercial Production - Audio and Recording Studio Services .
• Starting with an idea, we'll put the words to paper, writing the copy for radio commercials - web audio - on-hold phone messaging - salutations - announcements - kiosk advertising - trade shows - and more. We're knowledgable professionals who have written hundreds of radio commercials and have also written and produced documentary style programming. ...
• Create an atmosphere or a special effect with music or sound effects in your commercial. ...
• We glady welcome questions and provide quotes for Radio Commercial Production.

• radio museum.
• golden radio int.
• earth radio chatroom.
• golden radio international.
• - - - - - Radio Caroline - Radio Mi Amigo - Radio Atlanta - Radio Veronica - Radio Monique - Laser 558 - Laser Hot Hits - Radio Northsea International - Radio 558 - Radio England - Radio Scotland - Radio London - Britain Radio - Radio 390 - Radio Atlantis - Radio 270 - Radio City - Radio 355 - Radio Seagull - Radio 227 - Radio Essex - Radio 819 - Voice of Peace - Radio Delmare - Radio Dolfijn - Radio Paradijs - Radio Hauraki - - - - - .

• Radio Creative will do as much, or indeed as little, as you want, when you need a radio commercial or campaign producing. ...
• Direct and produce the commercial(s) on-the-day .
• Ensure commercials are relayed to radio stations .

• Radio Commercial Production.
• Is your radio campaign not producing what you expected?  It's probably your commercial!  Did you know that if your commercial blends in to all the other noise and radio commercials, people may not notice it?  The first mistake most radio ads make is that they didn't think "radio ad" when the script was written. ...   Your radio commercial must create that feeling or image, then convince your potential customer to do something. ...
• We specialize in creating radio commercials that DEMAND attention.   From creating great radio scripts to revisions and/or professional production of your existing scripts, Brevard Marketing can handle all your radio commercial production needs quickly and affordably -- just $195 for your script and full production!  .

• Longwave radio frequencies are those below 500 kHz (or 600 meters wavelength). ... Unlike shortwave radio, longwave signals do not reflect nor refract using the ionosphere, so there are fewer phase-caused fadeouts. ...
• The earliest radio transmitters, including the Alexanderson alternator were all longwave transmitters. ...
• In Europe, North Africa and Asia, longwave radio frequencies between 153 and 281 kHz are used for domestic and international broadcasting. In the Americas, frequencies between 200 and 430 kHz are used for non-directional radio beacons. ...
• Many commercial appliances sold since approximately 2000 have a VLF receiver capable of receiving these signals, which penetrate indoors more effectively than mediumwave or shortwave signals. ...
• Radio signals below 50 kHz are capable of penetrating ocean depths to approximately 200 meters. ...
• Longwave transmitting antennas take up large amounts of space, and have been the cause of controversy in the United States and Europe due to fears over proximity to high-power radio waves. ...

• BBC Radio 1.
• BBC Radio 1 is a British radio station, specialising in popular music aimed at a young audience (children, teenagers and young adults). Radio 1 was launched on September 30, 1967 as a direct response to the popularity of the illegal pirate radio stations such as Radio Caroline. ...
• The first record played on Radio 1 was Flowers in the Rain by The Move. The breakfast programme remains the most prized slot in the Radio 1 schedules, with every change of presenter exciting considerable media interest. ...
• Radio 1 is notable for the range of music it plays. While most commercial stations concentrate on a particular theme, such as 1980s music or 'classic rock', Radio 1 plays a diverse mix of current songs, including independent/alternative, rock, house/electronica and rap. ...
• Due to restrictions on the amount of commercial music that can be played on radio in the UK (the so-called "needle time" limitation) the station has recorded a great many live performances and studio sessions over the years, many of which have subsequently (and perhaps ironically) found their way onto commercially-available LPs and CDs. ...
• Radio 1 initially broadcast on mediumwave only. In the 1970s and early 1980s it was allowed to take over Radio 2's FM transmitters for a few hours per week. Eventually it acquired its own national FM network, and its old mediumwave frequencies were reallocated to commercial stations. ...
• For the older listener (above the age of 25), Radio 2 has largely taken over in recent years the type of demographic and style that Radio 1 had up until the early 1990s. ...
• See also: List of BBC radio stations .
• BBC Radio 1 .
• BBC Radio 1 live streaming .

• Effective Radio Commercials.
• The alternative advertising medium is RADIO. ...
• Radio, on the other hand, is a PASSIVE medium. ...
• Many advertisers have discovered that their particular business or product line can become ear-appealing, and can be successfully promoted and sold via a professionally created radio campaign. A good radio commercial can often equal or surpass any other type of advertising that you are presently using, or plan to use.
• Radio consists primarily of the general population. You cannot single out a specific group of people from the masses and ask them to listen to your commercial while the rest of the audience turns a deaf ear to what you have to say. Your ad message on radio will be heard by everyone listening, so your product or offer should have mass appeal to be successful. The only true advantage that you will have to work with is the fact that radio stations broadcast to specific demographics or distinct age groups. ...
• If your offer is for those in their teens and twenties, you will naturally want to get your commercial on the Top-40 stations, but if you want to reach the older audience, possibly senior citizens, then you'll want to advertise only on stations that play music or broadcast their programming to this audience.
• WHAT SELLS BY MAIL ON RADIO?.
• Offers that have been successful on radio include:.
• This list is not complete, of course, because there are many items, products or "things" that can be successfully sold via a well-produced radio commercial, each depending on the audience.
• If you sell something in one of the categories above, you have a good chance of selling it successfully on radio. ... Surprise! On radio there's no order form for prospective customers to fill out.
• Same applies to radio - even more so. ...

• Commercial Radios  .
• The ICOM F21BR is a versatile radio that allows you to blend personal and business use in one radio. It functions in the GMRS General Mobile Radio Service (simple license required) including 7 channels shared with FRS Family Radio Service channels. Plus is also operates in the BRS Business Radio Service (license required). ...
• All three controls may be operated without removing the radio from your belt. ...
• rugged radio that can take abuse and keep working. ...
• You can use the built-in signaling capability (CTCSS) to set up your own talk groups and quiet the radio when others are talking. ... A dual colored LED flashes to show various radio functions. ...
• This radio includes the BP-222 NiCad battery pack, BC-146 charger cradle, MB-68 belt clip, BC-147A AC adapter and flexible antenna. ...
• Send e-mail to dx@universal-radio. ...

• Egyptian ground-broadcast television (ETV) is government controlled and depends heavily on commercial revenue. ... In addition to Egyptian programming, the Middle East Broadcast Company, a Saudi television station transmitting from London (MBC), Arab Radio and Television (ART), Al-Jazira television, and other Gulf stations are available, as well as Western networks, to Egyptians who own satellite receivers. ...
• Radio in Egypt also is government controlled, using 44 short-wave frequencies, 18 medium-wave stations, and four FM stations. There are seven regional radio stations covering the country. Egyptian Radio transmits 60 hours daily overseas in 33 languages and three hundred hours daily within Egypt. In 2000, Radio Cairo introduced new specialized (thematic) channels on its FM station. ... Radio enjoys more freedom than TV in its news programs, talk shows and analysis. ...
• 168 million (1996) Telephones - mobile cellular: 380,000 (1999) Telephone system: large system by Third World standards but inadequate for present requirements and undergoing extensive upgrading; Internet access available domestic: principal centers at Alexandria, Cairo, Al Mansurah, Ismailia, Suez, and Tanta are connected by coaxial cable and microwave radio relay international: satellite earth stations - 2 Intelsat (Atlantic Ocean and Indian Ocean), 1 Arabsat, and 1 Inmarsat; 5 coaxial submarine cables; tropospheric scatter to Sudan; microwave radio relay to Israel; a participant in Medarabtel and a signatory to Project Oxygen (a global submarine fiber-optic cable system) Radio broadcast stations: AM 42 (plus 15 repeater stations), FM 14, shortwave 3 (1999) Radios: 20. ...

• Often credited with coining the phrase "rock and roll", while working as a disc jockey at Cleveland, Ohio radio station, on March 21, 1952 he organized the first rock and roll concert called "The Moondog Coronation Ball". The event, attended mainly by African-Americans, proved a huge drawing card, and two years later he moved to New York City to WINS radio station where he introduced white teens to the new sound. ...
• he became a popular radio and television personality, but his career ended when accusations were made that he had accepted payola – that is, taken bribes to play specific records. Although his problems began before payola became illegal (in 1960), in 1962 he pleaded guilty to two charges of commercial bribery and received a fine and a suspended sentence. ...
• In 1988, he was also posthumously inducted into the Radio Hall of Fame. ...

• commercial radio.
• commercial television.
• community radio.
• Commercial Radio   The DCMS encourages innovation, competition and greater choice for listeners in radio services.   We are committed to working with the commercial broadcasters and Ofcom to ensure our legislative framework supports this through the development of new channels.   Under the Broadcasting Acts 1990 and 1996 and the Communications Act 2003, Ofcom is responsible for licensing and regulating all independent radio services on both analogue and digital platforms.   Radio listening remains a popular medium and listeners today have a wide choice of stations.   As at 31 December 2003, there were 3 national commercial stations (Classic FM, TalkSPORT and Virgin 1215); 272 independent local radio (ILR) analogue services; 1 national digital multiplex carrying 8 radio services; 46 local digital multiplexes have been licensed and will carry some 300 radio services. ...   The Government is committed to developing digital radio, as it can enhance the quality and increase the variety of audio services. With the multiplexes mentioned above, digital radio already reaches more than 44 million people in the UK. For more information go to the Digital Radio Development Bureau website. The Broadcasting Act 1996 places an obligation on Ministers to review progress made in digital radio. This review  commenced in the autumn of 2003 with the Secretary of State asking Ofcom and the BBC to both undertake a review of digital radio. ...
• Ofcom   Commercial Radio Companies Association   Communications Act.

• Now you can hear our latest radio commercial starring the one and only Renie. ...

• Radio Commercial Production & Audio Services.
• 1 Creative - Fast, cost effective and professional radio commercial production services and more, to the radio industry throughout the UK and Europe.
• radio commercial production .
• 1 Creative provide cost effective and professional services, and more, to the radio industry throughout the UK and Europe.
• 1 Creative provide cost effective and professional services, and more, to the radio industry throughout the UK and Europe. ...
• 1 Creative provide cost effective and professional services, and more, to the radio industry throughout the UK and Europe.

• Radio signals, like all electromagnetic radiation, usually travel in straight lines. However, at low frequencies (below approximately 2 MHz or so) diffraction effects allow them to partially follow the Earth's curvature, thus allowing AM radio signals in low-noise environments to be heard well after the transmitting antenna has dropped below the horizon. Additionally, frequencies between approximately 1 and 30 MHz, can be reflected by the ionosphere, thus giving radio transmissions in this range a potentially global reach (see shortwave radio). ...
• Therefore, as the ability to visually sight a transmitting antenna (with regards to the limitations of the eye's resolution) roughly corresponds with the ability to receive a signal from it, the propagation characteristic of high-frequency radio is called "line-of-sight". ...
• In practice, the propagation characteristics of these radio waves vary substantially depending on the exact frequency and the strength of the transmitted signal (a function of both the transmitter and the antenna characterics). Commercial FM radio, at comparatively low freqencies of around 100 MHz using immensely-powerful transmitters, easily propagates through buildings and forests. ...
• The presence of objects not in the direct visual line of sight can interfere with radio transmission. ...
• extensive use of error correction and detection in the radio link .

• First Commercial Silicon Transistor.
• Transistor Manufacturer Comments on New Radio.
• First Commercial Transistor Radio .
• TI Supplying Transistors for First "Pocket Size" Radio .
• DALLAS (October 18, 1954) - TI's part in the production of the first commercial transistorized radio receiver will be announced beginning today in newspapers throughout the country. ...
• The "pocket size" radio has four TI transistors. ...
• Their application to the new radio receiver accounts for a large part of the increased production and employment in the two divisions in recent weeks. The Apparatus Division has also had a hand in the tiny radio, having worked on engineering problems and the machining and fabricating of models for the plastic case. ...
• For competitive reasons it was decided to keep the development of the radio, including TI's part in it, "under wraps" until the unit was ready for marketing. ...
• The radio receiver measures 5 x 3 x 1 1/4 inches - the smallest set commercially available - with the semiconductor devices themselves occupying less than 1/10 of a cubic inch. ...
• Gain at radio frequency with the germanium transistor is sufficient to permit a combined mixer-oscillator stage. ...
• TIers can justly be proud of being the first to produce a high-gain transistor at a cost permitting its application to the high-volume commercial market. ...

• Coolest Radio Commercial.
• Today I was listening to the radio and we get this station called XRock from Rapid City, SD(I live in Gillette). They were doing this promotional commercial that was really funny so here goes. ...
• I just thought you all should know that I thought that was one of the funniest radio commercials I have heard in a long time. ...

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